The Karan Johar playbook: The open secret, male same-sex sexuality, and the ‘big-brand’ in Bollywood

IF 0.3 0 ASIAN STUDIES South Asian Popular Culture Pub Date : 2021-05-04 DOI:10.1080/14746689.2021.1940552
J. Luther
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引用次数: 1

Abstract

ABSTRACT This paper critically contextualizes the open secret of Karan Johar’s sexuality as a key marketable commodity in the neoliberal framework of the ‘KJo’ brand. It examines the cultural legibility of the open secret of his sexuality. It argues that the juxtaposition between the ubiquity of his open secret and his maintained silence on identifying his sexuality serves as an incitement that enables a study of his role in incrementally making space for a depoliticized and individualized upper-class male same-sex sexuality. By mapping the textuality of his open secret in the culture industry surrounding the Hindi film industry, this paper offers a nuanced critique of the co-option of male same-sex sexuality by Karan Johar and its deployment as a gimmick.
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卡兰·乔哈尔的剧本:公开的秘密,男性同性性行为,以及宝莱坞的“大牌”
本文批判性地将Karan Johar的性取向作为“KJo”品牌的新自由主义框架中的关键市场商品的公开秘密置于语境中。它考察了他公开的性秘密的文化易读性。它认为,他公开的秘密无处不在,而他对自己的性取向保持沉默,这两者之间的并置于一起,促使人们研究他在逐渐为非政治化和个性化的上层男性同性性行为创造空间方面所扮演的角色。通过描绘他的公开秘密在围绕印度电影产业的文化产业中的文本性,本文对卡兰·乔哈尔(Karan Johar)对男性同性性行为的选择及其作为噱头的运用进行了细致入微的批评。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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