Satyajit Ray, New Cinema, and the FFC/NFDC

IF 0.3 0 ASIAN STUDIES South Asian Popular Culture Pub Date : 2022-05-04 DOI:10.1080/14746689.2022.2091313
Sudha Tiwari
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引用次数: 0

Abstract

ABSTRACT Year 2021–22 was celebrated as the birth centenary of Satyajit Ray. The Film Finance Corporation (FFC) and National Film Development Corporation (NFDC) were two of his important financiers and producers. Ray’s Charulata (1964), Nayak (1965), and Goopy Gyne Bagha Byne (1968) were financed by the FFC. NFDC produced some of his later films, viz. Ghare Baire (1984), Ganashatru (1989), and Agantuk (1992). This article remembers Ray by recalling the Corporation’s support towards and celebration of the Master’s films. It revisits Ray’s views on Indian films, New Cinema movement of the 1970s, and films and audience in general with a view to highlight his curious relationship with the alternative cinema movement of India.
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萨蒂亚吉特·雷,新电影和FFC/NFDC
2021-22年是萨蒂亚吉特·雷诞辰100周年。电影金融公司(FFC)和国家电影发展公司(NFDC)是他的两个重要的资助者和制片人。Ray的《Charulata》(1964),《Nayak》(1965)和《Goopy Gyne Bagha Byne》(1968)都是由FFC资助的。NFDC制作了他后来的一些电影,即gare Baire (1984), Ganashatru(1989)和Agantuk(1992)。这篇文章通过回顾公司对大师电影的支持和庆祝来纪念雷。它重新审视了Ray对印度电影,20世纪70年代新电影运动,电影和观众的看法,以突出他与印度另类电影运动的奇怪关系。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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