{"title":"El cuerpo como obra de arte. 'The Physical Self' de Peter Greenaway y los límites de la representación plástica","authors":"Uwe Fleckner","doi":"10.5209/anha.66051","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":53993,"journal":{"name":"Anales de Historia del Arte","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anales de Historia del Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/anha.66051","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
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