{"title":"Sound Spectrum Analysis: Ryūteki and Hichiriki Techniques as Performers of Structure and Mode in Etenraku","authors":"Amy Simon","doi":"10.1353/AMU.2019.0004","DOIUrl":null,"url":null,"abstract":"<p>Abstract:</p><p>This article explores the performance techniques of the <i>gagaku</i> winds, <i>ryūteki</i> and <i>hichiriki</i>, in the piece <i>Etenraku</i> in the <i>hyō-jō</i> mode. I use spectral analysis of <i>Kunaichō</i> recordings from throughout the twentieth century to demonstrate striking relationships between these more-than-ornamental performance techniques (pitch bending/sliding, microtonal pitch alteration, breath pulses, and pitched finger percussion) and both formal structure and mode in <i>Etenraku</i>.</p>","PeriodicalId":43622,"journal":{"name":"ASIAN MUSIC","volume":"50 1","pages":"117 - 78"},"PeriodicalIF":0.2000,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AMU.2019.0004","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIAN MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/AMU.2019.0004","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
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Abstract
Abstract:
This article explores the performance techniques of the gagaku winds, ryūteki and hichiriki, in the piece Etenraku in the hyō-jō mode. I use spectral analysis of Kunaichō recordings from throughout the twentieth century to demonstrate striking relationships between these more-than-ornamental performance techniques (pitch bending/sliding, microtonal pitch alteration, breath pulses, and pitched finger percussion) and both formal structure and mode in Etenraku.
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