{"title":"Theorising Necromale Through Killable Female: A Study of Murder 2 and Article 15","authors":"Ankita Rathour","doi":"10.1177/09760911231184335","DOIUrl":null,"url":null,"abstract":"This essay studies the construction of killable female bodies via two Hindi films: Murder 2 (2011) and Article 15 (2019) and theorises a necromale—male murdering agent following a violent sovereign ethos, which, in turn, illuminates sovereign Indian masculinity in crisis. One of the many romances of the idea of sovereignty and ideals of self-rule is the construction of imaginary adversaries whose violent execution serves the sovereign purpose. This essay extends the rhetoric of sovereignty to include male violence in the study of alleged enemies—dead girls. If sovereignty means power to kill or let live, then in what ways does that definition play out in these films through gender violence? The essay expands on the exclusionary principles of killability—secrecy around murder investigations, hasty cremation/burial, and patriarchal and casteist public discourses that serve exclusively to make the male Indian sovereign violence against the victims doubtable. The killable females became the potent ground where caste, patriarchal, and national ideologies combine, enabling the Indian male sovereignty to deploy its power to kill. However, this sovereign/casteist murderous male, whom the essay establishes as a necromale, is killable in return. The male power to kill emerges as a suicidal martyrdom because the state’s right to kill ultimately reserves the monopoly on violence.","PeriodicalId":52105,"journal":{"name":"Media Watch","volume":"14 1","pages":"326 - 345"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media Watch","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/09760911231184335","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This essay studies the construction of killable female bodies via two Hindi films: Murder 2 (2011) and Article 15 (2019) and theorises a necromale—male murdering agent following a violent sovereign ethos, which, in turn, illuminates sovereign Indian masculinity in crisis. One of the many romances of the idea of sovereignty and ideals of self-rule is the construction of imaginary adversaries whose violent execution serves the sovereign purpose. This essay extends the rhetoric of sovereignty to include male violence in the study of alleged enemies—dead girls. If sovereignty means power to kill or let live, then in what ways does that definition play out in these films through gender violence? The essay expands on the exclusionary principles of killability—secrecy around murder investigations, hasty cremation/burial, and patriarchal and casteist public discourses that serve exclusively to make the male Indian sovereign violence against the victims doubtable. The killable females became the potent ground where caste, patriarchal, and national ideologies combine, enabling the Indian male sovereignty to deploy its power to kill. However, this sovereign/casteist murderous male, whom the essay establishes as a necromale, is killable in return. The male power to kill emerges as a suicidal martyrdom because the state’s right to kill ultimately reserves the monopoly on violence.
Media WatchArts and Humanities-Literature and Literary Theory
自引率
0.00%
发文量
19
期刊介绍:
Journal of Media Watch is a double blind peer-reviewed tri-annual journal published from India. It is the only journal in the discipline from Asia and India listed in many leading indexing platforms. The journal keeps high quality peer evaluation and academic standards in all levels of its publication. Journal of Media Watch reflects empirical and fundamental research, theoretical articulations, alternative critical thinking, diverse knowledge spectrum, cognizant technologies, scientific postulates, alternative social synergies, exploratory documentations, visual enquiries, narrative argumentations, innovative interventions, and minority inclusiveness in its content and selection. The journal aims at publishing and documenting research publication in the field of communication and media studies that covers a wide range of topics and sub-fields like print media, television, radio, film, public relations, advertising, journalism and social media and the cultural impact and activation of these media in the society. It aims at providing a platform for the scholars to present their research to an international academic community with wide access and reach. Published topics in Media Watch enjoy very high impact and major citation. The journal is supported by strong international editorial advisory support from leading academicians in the world.