Documenting the legacies of the Chilean dictatorship: Questioning the family relationship in the documentary films El pacto de Adriana and El color del camaleón
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引用次数: 7
Abstract
The Chilean dictatorship is the subject of a number of recent non-fiction films in which the construction of Chile’s collective memory also focuses on those who supported, collaborated or participated in the perpetration of the abuses and atroci-ties committed by the regime. In recent years, a new generation of Chilean film-makers has emerged; among these are Andrés Lübbert and Lissette Orozco, whose documentary films about the dictatorship, El color del camaleón (‘The color of the chameleon’) and El pacto de Adriana (‘Adriana’s pact’), respectively, were both released in 2017. In both films, the memorialization of Chile’s past is associated with
记录智利独裁统治的遗产:在纪录片El pacto de Adriana和El color del camaleón中质疑家庭关系
智利独裁政权是最近一些非虚构电影的主题，在这些电影中，智利集体记忆的构建也聚焦于那些支持、合作或参与实施该政权虐待和暴行的人。近年来，智利出现了新一代的电影制作人；其中包括安德烈斯·吕伯特（Andrés Lübbert）和利塞特·奥罗斯科（Lissette Orozco），他们关于独裁统治的纪录片《变色龙的颜色》（El color del camaleón）和《阿德里安娜的约定》（El pacto de Adriana）分别于2017年上映。在这两部电影中，对智利过去的纪念都与
期刊介绍：
The International Journal of Media and Cultural Politics (MCP) is a peer-reviewed journal aiming at analysing social and cultural communication processes with an interdisciplinary approach. MCP pays attention to contemporary issues striving to encourage academic responses to pressing world events, offering policy-oriented thinking. The content focus is critical, in-depth analysis and engaged research of the intersections of communication and media studies, sociology, politics, economics, and cultural studies with the aim of keeping academic analysis in dialogue with the practical world of communications, culture and politics. The journal publishes theoretical and empirical contributions from a wide and diverse community of researchers, and from any methodological and epistemological approach.
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