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Towards more realism? Challenging the aesthetization of pregnant bodies on social media 走向更现实主义?在社交媒体上挑战孕妇身体的审美化
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00049_7
Irmgard Wetzstein, Yvonne Prinzellner
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引用次数: 0
Mythologizing the face mask: How protective covers became political during the fine-dust and COVID-19 crises in South Korea 神话般的口罩:在韩国的细尘和COVID-19危机期间,防护面罩如何变得政治化
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00044_1
Tae-Sik Kim
This study aimed to demonstrate how South Korean news media routinized and sensationalized the face mask amid two recent public health crises: the fine-dust crisis and the COVID-19 epidemic. News media appropriated the mythologized meaning of the face mask as a symbol of individual safety during the two crises. This study analyses news articles to answer three questions: (1) How was wearing the face mask mythologized as a routinized practice in days of uncertain risk? (2) How was the face mask politicized as a mythologized sign indicating China as an external threat? and (3) How was the face mask politicized as a symbolic code of the government’s responsibility for the crisis? Once signified as the primary means of individual protection in the context of Korean risk society, the face mask became politicized amid the shortage of the face mask. Placed in the context of the recent disastrous crises in Korea, China was identified as the culprit not only in the epidemic but also in the shortage of the face mask. The meaning of China as an external threat was continuously strengthened when the South Korean government opted out of the entry ban on Chinese citizens. The last analytic part presents how news media politicized the epidemic by associating the face mask crisis with the Korean government.
这项研究旨在展示韩国新闻媒体如何在最近的两次公共卫生危机中对口罩进行常规化和耸人听闻:细尘危机和新冠肺炎疫情。在这两次危机中,新闻媒体将口罩的神话意义视为个人安全的象征。这项研究分析了新闻文章,以回答三个问题:(1)在风险不确定的日子里,戴口罩是如何被神话为一种常规做法的?(2) 口罩是如何被政治化为表明中国是外部威胁的神话标志的?以及(3)口罩是如何作为政府应对危机责任的象征性代码而被政治化的?口罩一度被视为韩国风险社会中个人保护的主要手段,但在口罩短缺的情况下,口罩变得政治化了。放在韩国最近灾难性危机的背景下,中国不仅被认定为疫情的罪魁祸首,而且被认定为口罩短缺的罪魁祸首。当韩国政府选择取消对中国公民的入境禁令时,中国作为外部威胁的意义不断加强。最后一个分析部分介绍了新闻媒体如何通过将口罩危机与韩国政府联系起来,将疫情政治化。
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引用次数: 1
The ‘other’ in the bowels of the hegemon: US media portrayals of Guam during the United States‐North Korea tension 霸权内部的“他者”:美国媒体在美朝紧张局势期间对关岛的描绘
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00043_1
Eduard Fabregat, Farooq A. Kperogi
This article explores how America’s mainline institutional media portrayed Guam, an unincorporated US territory in the Pacific Ocean that is home to important American military bases, in a time of heightened tensions between the United States and North Korea. Guamanians represent marginal racial ‘others’ who are nonetheless ensconced in a consequential part of the US military architecture. Using a combination of topic modelling and network analysis, our study analysed 2480 articles from 44 different mainstream newspapers in the United States between April 2017 and June 2018 in order to examine the contradictory depiction of an ‘other’ that is simultaneously foreign and domestic. Our results present evidence of a hegemonic portrayal of Guam as an intrinsic part of the US as well as a depiction of the threat to Guam as an attack on the US without acknowledging the marginality of Guam and its inhabitants in US politics.
这篇文章探讨了美国主流机构媒体是如何描述关岛的,关岛是美国在太平洋上的一块未合并的领土,是美国重要军事基地的所在地,在美国和朝鲜之间的紧张局势加剧的时候。关岛人代表着边缘种族的“其他种族”,尽管如此,他们仍被安置在美国军事架构的重要组成部分。通过主题建模和网络分析的结合,我们的研究分析了2017年4月至2018年6月期间来自美国44家不同主流报纸的2480篇文章,以检查同时是国外和国内的“他者”的矛盾描述。我们的研究结果证明,有人霸权地把关岛描绘成美国固有的一部分,也把对关岛的威胁描绘成对美国的攻击,而没有承认关岛及其居民在美国政治中的边缘地位。
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引用次数: 1
Community media’s role in changing centre‐periphery relations through participatory, not-for-profit journalism 社区媒体在通过参与性、非营利性新闻改变中心与边缘关系中的作用
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00042_1
Urszula Doliwa, Judith Purkarthofer
Traditional notions of journalism focus exclusively on professionals, often embedded in media outlets and publishing houses. However, preceding decades have seen transformations in the understanding of journalism. This contribution sets out to explore the role of community media in working towards the recognition of participatory, not-for-profit journalism, more diverse discourses and enhanced participation, especially in relation to minorities. This research draws on policy documents at the European level, reports from European projects with community media involvement as well as on interviews with community media activists and journalists. As a result, we can show strategies of bringing peripheral actors to the centre by using community media based on access and participation, social inclusion, giving a voice and media literacy development. The study proposes a model of the role of community media in shifting peripheral actors to more central positions.
传统的新闻观念只关注专业人士,这些专业人士往往植根于媒体和出版社。然而,在过去的几十年里,人们对新闻的理解发生了转变。这篇文章旨在探讨社区媒体在努力承认参与性、非营利性新闻、更多样化的话语和加强参与方面的作用,特别是在与少数群体有关的方面。这项研究借鉴了欧洲层面的政策文件、社区媒体参与的欧洲项目的报告,以及对社区媒体活动家和记者的采访。因此,我们可以展示通过基于获取和参与、社会包容、给予发言权和媒体素养发展的社区媒体,将外围行动者带到中心的策略。该研究提出了一个社区媒体在将边缘参与者转移到更中心位置方面的作用模型。
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引用次数: 1
Imagined Audiences: How Journalists Perceive and Pursue the Public, Jacob L. Nelson (2021) 想象中的观众:记者如何感知和追求公众,雅各布·L·纳尔逊(2021)
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00046_5
Ruth A. Palmer
Review of: Imagined Audiences: How Journalists Perceive and Pursue the Public, Jacob L. Nelson (2021)New York: Oxford University Press, 234 pp.,ISBN 978-0-19754-260-6, p/bk, $27.95
《想象的观众:记者如何感知和追求公众》,Jacob L.Nelson(2021),纽约:牛津大学出版社,234页,ISBN 978-0-19754-260-6,p/bk,27.95美元
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引用次数: 0
Parade of diversity: Representations of places and identities of Indonesia through tourism brochures 多样性游行:通过旅游手册展现印度尼西亚的地方和特色
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00045_1
Desideria Cempaka Wijaya Murti, I. N. Ratriyana
The article examines the discourses of diversity within a nation by investigating the tourism brochures as the media produced by municipalities/regencies. Using empirical research, this study analyses four major inquiries to gain insights into the discourse of diversity in Indonesia from tourism products/services, geographical representations, ethnic diversity and occupational variations within the dynamic of media and society. The research project then analyse the cultural and social meanings on how the media function to showcase and develop a notion of ‘parade of diversity’ in the society. It reflects the ways of displaying places and people, which can include and exclude part of society, promenade through series of similar patterns across different municipalities/regencies in Indonesia. Critically, tourism brochures then facilitate the commercial definition of tourism spaces, geographical identity, the representation of the dominant groups and the interests of the powerful elites.
这篇文章通过调查旅游宣传册作为城市/县政府制作的媒体,考察了一个国家内关于多样性的话语。利用实证研究,本研究分析了四个主要调查,从旅游产品/服务、地理表征、种族多样性和媒体和社会动态中的职业变化等方面深入了解印度尼西亚的多样性话语。该研究项目随后分析了媒体如何在社会中展示和发展“多样性游行”概念的文化和社会意义。它反映了展示地点和人物的方式,可以包括和排除社会的一部分,通过一系列类似的模式在印度尼西亚不同的城市/县散步。至关重要的是,旅游宣传册促进了旅游空间的商业定义、地理身份、主导群体的代表和强大精英的利益。
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引用次数: 5
K-pop pedagogy in the digital platform era 数字平台时代的K-pop教育学
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00047_7
Kyong Yoon
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引用次数: 0
Spectre of you: Social data Australians cannot control and the data broker industry built on it 你的幽灵:澳大利亚人无法控制的社交数据和数据代理行业建立在它之上
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-06-01 DOI: 10.1386/macp_00048_7
Belinda Barnet
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引用次数: 0
Reflecting anxieties during the first twenty years of the twenty-first century: Three European cinematic waves 反映21世纪头二十年的焦虑:三次欧洲电影浪潮
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-03-01 DOI: 10.1386/macp_00037_1
Eleni Varmazi, Ş. Erensoy, G. Tahan
The article lays out the only three European cinematic waves that emerged in the first twenty years of the twenty-first century and examines them in relation to their sociopolitical context. The way in which these particular contexts have influenced the production of the films, the thematic and aesthetic explorations of the filmmakers and their presence within the wider cinematic spectrum is detailed in the analysis. The New French Extremity, the Romanian New Wave and the Greek Weird Wave are thus considered as significant manifestations of anxieties and concerns relating to the particular historical moment in each respective country.
这篇文章列出了21世纪头20年出现的仅有的三次欧洲电影浪潮,并将其与社会政治背景联系起来进行了研究。分析中详细介绍了这些特定背景对电影制作的影响,电影制作人的主题和美学探索,以及他们在更广泛的电影光谱中的存在。因此,法国新极端主义、罗马尼亚新浪潮和希腊怪异浪潮被认为是每个国家对特定历史时刻的焦虑和关切的重要表现。
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引用次数: 0
For England, James! Bond, Brexit, and the fear of the outsider 为了英格兰,詹姆斯!债券,英国脱欧,以及对局外人的恐惧
IF 0.4 Q4 COMMUNICATION Pub Date : 2021-03-01 DOI: 10.1386/macp_00040_7
Sameer Ahmed
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引用次数: 0
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International Journal of Media & Cultural Politics
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