Art therapy with people diagnosed with psychosis: therapists’ experiences of their work and the journey to their current practice

IF 2.3 Q2 PSYCHOLOGY, CLINICAL International Journal of Art Therapy: Inscape Pub Date : 2021-03-24 DOI:10.1080/17454832.2021.1893370
S. Holttum, T. Wright, Chris Wood
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引用次数: 5

Abstract

ABSTRACT Background There was insufficient understanding of how art therapists experience their work with people with psychosis-related diagnoses, and of their practice development. Aims To understand art therapists’ perceived practise and its development regarding psychosis. Methods Within a grounded theory framework, interviews and a focus group carried out in the years 2015–2017 elicited the experiences of 18 UK-based art therapists, working in a range of National Health Service (NHS) contexts, concerning art therapy in relation to psychosis and how they developed their current practice. Audio-recordings were transcribed verbatim and analysed to build theory. Results The grounded theory proposes how practice and its development intertwine. Training confers resilience but therapists learn greatly from their clients, enhancing their ability for alliance-building. Therapists’ early struggles also spur further training. Skills for trauma are helpful. Clients may become stuck or disengage, and/or develop through ongoing engagement with art and the art therapist, who supports their journey. The service and wider societal contexts impact the art therapist's work through their effect on clients and/or the art therapist's ability to attune to clients. Conclusions The findings concur with previous research regarding common therapeutic factors, especially the alliance, and on other therapists’ practice development. Implications for practice and research Understanding therapy processes should incorporate service and societal influences on therapist and client. Training needs to include understanding adversity and trauma, and working with trauma. Plain-language summary People who receive a diagnosis of psychosis or schizophrenia are sometimes offered art therapy. However, we did not know enough about exactly what art therapists do. It was also important to understand how art therapists come to know what helps people in art therapy. Art therapy training has to cover many things, not only psychosis, so art therapists learn their skills in various ways. Through interviews and a focus group we talked to 18 UK-based art therapists working in different NHS contexts and digitally recorded the discussions. We made written records of what was said, and analysed these to create a theory of how art therapists work with people who have been given a diagnosis of psychosis or schizophrenia across inpatient and outpatient settings. Our theory proposes that art therapists’ training makes them quite resilient. However, they learn vital things from their clients. This especially helps them to become better at building a helpful relationship with each client. Some art therapists also seek further training when they are newly qualified, especially if they run into difficulties when trying to help a client. Some art therapists find it helpful to have skills for supporting people who have experienced past trauma. Clients develop through art-making and talking with the art therapist. Art therapists find it easier to do their work with clients if the service they work in is supportive. Our theory fits in with previous research, which says that building a good relationship with clients makes an important difference to the outcome in different kinds of therapies. Our theory also fits in with previous research on how other therapists develop their skills. Future research on art therapy should include looking at the service where the therapist works, and how it may affect both therapists and clients. Art therapy training needs to include trauma-related work. Video Abstract Read the transcript Watch the video on Vimeo
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精神病患者的艺术治疗:治疗师的工作经验和他们目前的实践之旅
背景对于艺术治疗师如何体验他们与精神病相关诊断患者的工作,以及他们的实践发展了解不足。目的了解艺术治疗师对精神病的感知实践及其发展。方法在一个扎根的理论框架内,2015-2017年进行的访谈和焦点小组引出了18位英国艺术治疗师的经验,他们在一系列国家卫生服务(NHS)背景下工作,涉及与精神病相关的艺术治疗以及他们如何发展他们目前的实践。录音被逐字抄录并分析以建立理论。结果扎根理论提出了实践与发展的相互关系。培训能给人带来弹性,但治疗师从他们的来访者身上学到很多东西,增强了他们建立联盟的能力。治疗师早期的挣扎也刺激了进一步的培训。创伤方面的技能是有用的。客户可能会陷入困境或脱离,并/或通过持续参与艺术和艺术治疗师,谁支持他们的旅程发展。服务和更广泛的社会背景通过对客户的影响和/或艺术治疗师与客户协调的能力来影响艺术治疗师的工作。结论本研究结果与以往的研究结果一致,包括对常见治疗因素的研究,特别是对联盟的研究,以及对其他治疗师实践发展的研究。对实践和研究的启示理解治疗过程应该结合服务和社会对治疗师和来访者的影响。培训需要包括理解逆境和创伤,以及如何处理创伤。被诊断为精神病或精神分裂症的人有时会接受艺术治疗。然而,我们对艺术治疗师到底是做什么的了解还不够。同样重要的是要了解艺术治疗师是如何知道什么能帮助人们进行艺术治疗的。艺术治疗培训必须涵盖很多东西,不仅仅是精神病,所以艺术治疗师通过各种方式学习他们的技能。通过采访和焦点小组,我们与18位在不同NHS背景下工作的英国艺术治疗师进行了交谈,并以数字方式记录了讨论。我们将他们所说的话记录下来,并对这些记录进行分析,以创建一个理论,说明艺术治疗师如何与住院和门诊被诊断为精神病或精神分裂症的人一起工作。我们的理论认为,艺术治疗师的训练使他们相当有弹性。然而,他们从客户那里学到重要的东西。这尤其有助于他们更好地与每个客户建立有益的关系。一些艺术治疗师在获得新资格后也会寻求进一步的培训,特别是当他们在试图帮助客户时遇到困难时。一些艺术治疗师发现,拥有帮助经历过创伤的人的技能是很有帮助的。客户通过艺术创作和与艺术治疗师交谈来发展。艺术治疗师发现,如果他们工作的服务是支持性的,他们与客户一起工作就会更容易。我们的理论与之前的研究相吻合,该研究表明,与客户建立良好的关系对不同类型治疗的结果有重要影响。我们的理论也与之前关于其他治疗师如何发展技能的研究相吻合。未来对艺术治疗的研究应该包括关注治疗师工作的服务,以及它如何影响治疗师和客户。艺术治疗培训需要包括与创伤相关的工作。视频摘要阅读文本在Vimeo上观看视频
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来源期刊
CiteScore
5.40
自引率
0.00%
发文量
19
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