Dal combattente a Omar Gatlato: Modelli di mascolinità nell’Algeria indipendente

Q2 Arts and Humanities Kervan Pub Date : 2018-11-23 DOI:10.13135/1825-263X/2874
J. Guardi
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Abstract

Shortly after independence (1962), Algeria put in place different political discourses in order to strengthen the new citizens’ identity. Among these the discourse about manhood was crucial and focused especially on the muǧāhid , the fighter, whose fighting allowed Algerian to conquer freedom and independence. Therefore, manhood became a political ideal engaging social and political dynamics devoted to define the man-woman relationships. Moreover, it helped constructing a collective and normative imaginary in line with the hegemonic masculinity (Robert Connell 1996), i.e., men’s identity was construed as a universal model influencing society as well as politics. In this paper I present different forms of this discourse and outline the characteristic of the “true” muǧāhid , underscoring how this was built in order to define an imaged manhood.
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从战士到奥马尔·加塔托:阿尔及利亚独立男子气概的典范
阿尔及利亚独立后不久(1962年),为了加强新公民的身份认同,建立了不同的政治话语。其中,关于男子气概的论述至关重要,尤其集中在战士穆希德身上,他的战斗使阿尔及利亚人得以征服自由和独立。因此,成年成为一种政治理想,涉及社会和政治动态,致力于定义男女关系。此外,它有助于构建一个符合霸权男性气质的集体和规范性想象(Robert Connell,1996),即男性身份被解释为影响社会和政治的普遍模式。在这篇文章中,我提出了这种话语的不同形式,并概述了“真正的”穆的特征,强调了这是如何建立起来的,以定义一个形象化的男子气概。
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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