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A divisive disease Clashing treatments for HIV/AIDS in Swahili literature 斯瓦希里文献中对艾滋病毒/艾滋病的冲突治疗
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.13135/1825-263X/6886
Cristina Nicolini
The aim of this paper is to illustrate the historical evolution of the “clashes between epistemes in relation to the treatment of illness,” which characterize Swahili literary genres on HIV/AIDS (Nicolini 2022) through an exploration of Swahili novels. Therefore, I will investigate the epistemologies of a pandemic both analytically, by investigating both the knowledge of HIV/AIDS and the plural ways of treatment involved, as well as aesthetically and linguistically, by examining the metaphorical doubles of HIV/AIDS. Moreover, I will compare the metaphorical doubles of HIV/AIDS in Swahili literature to the metaphors in Anglophone literature from East Africa. Finally, I will conclude the study with a glance at the recent Covid-19 pandemic. The clash, between modern medicine and non-scientific knowledge(-s) in relation to the treatment of illnesses, seems also to be a continuous feature in the contemporary discussions dealing with Covid-19 circulating in the social media. © 2022, Universita degli Studi di Torino, Facolta di Lingue e Letterature Straniere. All rights reserved.
本文的目的是通过对斯瓦希里小说的探索来说明“与疾病治疗有关的知识冲突”的历史演变,这是斯瓦希里文学类型中关于艾滋病毒/艾滋病的特征(Nicolini 2022)。因此,我将通过对艾滋病毒/艾滋病的知识和所涉及的多种治疗方法进行分析,以及通过对艾滋病毒/艾滋病隐喻的双重研究,从美学和语言上研究流行病的认识论。此外,我将比较斯瓦希里语文学和东非英语文学中艾滋病的双重隐喻。最后,我将以最近的Covid-19大流行来结束研究。现代医学与非科学知识在疾病治疗方面的冲突,似乎也是社交媒体上关于Covid-19的当代讨论的一个持续特征。©2022,都灵大学,Facolta di linguue e Letterature Straniere。版权所有。
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引用次数: 0
Identity and Memory in Swahili War Verses: The Long Road to an East African Self 斯瓦希里战争诗中的身份和记忆:通往东非自我的漫长道路
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3359
Graziella Acquaviva
The article aims at an analysis of memory and identity based on literary evidence, and in particular on Swahili war poetry. Starting from the assumption that identity consists in the fact that it requires a balance between self-assertion and respect for others, between difference and integration. Traditional theories have introduced a distinction between personal identities and social identities. It is not easy to determine the boundary line of where the self ends and where the non-self begins. Identity is a point of anchorage and it is for this reason that people appear to be committed to building and maintaining a feeling of themselves with all that is involved: a story, a wealth of emotions and values, individual and collective memories, a system of social roles capable of defining one's place in the world. Although identity can constitute a block to the knowledge and understanding of others, it is also true that it represents a point of reference from which to take the steps towards self-determination. In their function of handing down messages through their verses, the poets become the tools through which the other – the readers or the listener – responds. The Swahili genre of Utenzi, alias epic, seems to be  suitable for examination of the message that each poet or author gives to his target of readers. I consider two islamic-based epics namely Chuo cha Herekali and Rasi ‘l Ghuli , two tenzi referring to European Colonial period, namely Vita vya Maji Maji and Vita vya Wadachi , and the epic Vita vya Kagera referring to the first war against an African enemy, namely Ugandan Idi Amin Dada.
本文旨在分析基于文学证据的记忆和身份,特别是对斯瓦希里战争诗歌。从假设身份包含这样一个事实,即它需要在自我主张和尊重他人之间,在差异和整合之间取得平衡。传统理论提出了个人身份和社会身份的区别。要确定自我的终点和非自我的起点的界线并不容易。身份是一个锚点,正是因为这个原因,人们似乎致力于建立和维持一种自我感觉,包括所有相关的东西:一个故事,丰富的情感和价值观,个人和集体的记忆,一个能够定义一个人在世界上位置的社会角色系统。虽然身份可能构成对他人的认识和理解的障碍,但它也确实是采取自决步骤的一个参照点。诗人通过诗歌传递信息的功能,使他们成为他人——读者或听众——回应的工具。斯瓦希里语体裁的乌登兹,又称史诗,似乎适合用来考察每位诗人或作者向其目标读者传递的信息。我考虑了两部以伊斯兰教为基础的史诗,即Chuo cha Herekali和Rasi ' l Ghuli,两部史诗指的是欧洲殖民时期,即Vita vya Maji Maji和Vita vya Wadachi,史诗Vita vya Kagera指的是与非洲敌人的第一次战争,即乌干达的Idi Amin Dada。
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引用次数: 0
Variations of the Yamauba Figure in Murakumo no Mura no Monogatari (1987) by Saegusa Kazuko 《村上之村上之物语》(1987)中山羽人物的变化
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3363
D. Moro
This paper analyzes the variations of the archetype of the 山姥 yamauba, or mountain witch, emerging in the work『群ら雲の村の物語』Murakumo no mura no monogatari (Story of the Village of the Clouds) by Saegusa Kazuko. The article reflects on the philosophical insight which this work brings, through a close study of the particular structure, characters and setting. In order to show how Saegusa’s work foreshadowed contemporary currents such as posthuman feminism, I will try to reread this work together with other novels and essays by the same writer by focusing on the significance of the figure of yamauba as the embodiment of a critique of anthropocentrism.
本文分析了世草和子的作品《云村物语》中出现的山婆原型的变化:姥山婆。本文通过对这部作品独特的结构、人物和背景的深入研究,反思了这部作品所带来的哲学洞察力。为了说明Saegusa的作品如何预示了后人类女权主义等当代潮流,我将重点关注山羽这个人物作为人类中心主义批判的化身的意义,并试图将该作品与同一作家的其他小说和散文一起重新阅读。
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引用次数: 1
Horst Beinlich (Hrsg.). 9. Ägyptologische Tempeltagung, Kultabbildung und Kultrealität. Hamburg, 27. September-1. Oktober 2011 (2013) 树林。9. 埃及神庙活动,邪教和仪式汉堡,27 .September-1 .2011年10月
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3954
S. Bojowald
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引用次数: 0
Language Reform by Lebanese Lexicographers in the Nahḍa: The case of Saʻīd al-Ḫūrī aš-Šartūnī 黎巴嫩词典编纂者在Nahḍa中的语言改革:Sa ā k ā d al-Ḫūrī asi -Šartūnī的案例
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3366
S. Porcù
This article provides an overview of the social and literary revival and linguistic regeneration of the nineteenth century in Arab countries, especially in the Syro-Lebanese region. After outlining the work of the most important Lebanese lexicographers, this research focuses on the author Saʻīd al-Ḫūrī as-Sartūnī and his multiple interests. The aim of this paper is to understand the role of this author in a reform carried out by two groups of intellectuals, one conservative and one reformist, in the period called Nahda .
本文概述了19世纪阿拉伯国家,特别是叙罗-黎巴嫩地区的社会和文学复兴以及语言复兴。在概述了黎巴嫩最重要的词典编纂者的工作之后,本研究将重点放在了作者萨伊德·阿勒身上-Ḫ萨尔塔和他的多重利益。本文的目的是了解作者在Nahda时期由两个知识分子群体(一个保守派和一个改良派)进行的改革中的作用。
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引用次数: 0
Bhakti, dharma e vairāgya nell’agiografia di Pīpā Bhakti,dharma e vairāgya nell’agiografia di Pipā
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3698
Pinuccia Caracchi
Pīpā was the rājā of Gagraun in Rājashān in XV century. According to his hagiography, he went to Banāras, following a divine inspiration, and became disciple of Rāmānanda. He left his kingdom together with his youngest wife, the beautiful Sītā, for living the poor and ascetic life of a sādhu . His sādhanā consisted mainly in humble service of bhakta -s, sādhu -s and poor. Although the figure of Pīpā does not have a great relevance in the history of Indian religions, nor in Hindī literature as a sant -poet, his very adventurous life inspired the hagiographers, so that his legend is one of the more extended and widespread of North Indian hagiography. This article focuses mainly on Bhaktamāl and its two main commentaries. The critical analysis of Pīpā and Sītā’s hagiography reveals how in “ bhakti religion” the concepts of dharma and vairāgya were reformulated and entirely subordinated to bhakti . Moreover, the doctrine of the identity of bhakta and Bhagavān is a fundamental key for understanding how, in bhakti movements and, consequently, in hagiography, bhakta-sevā becomes the meeting point of bhakti , dharma and vairāgya , as in the story of Pīpā and Sītā Sahcarī.
pā pā是15世纪Rājashān加格朗的rājā。根据他的圣徒传记,他去Banāras,遵循神圣的灵感,并成为Rāmānanda的门徒。他和他最年轻的妻子,美丽的sā tā一起离开了他的王国,过着sādhu的贫穷和苦行的生活。他的sādhanā主要是为信徒、sādhu和穷人提供卑微的服务。尽管pā pā这个人物在印度宗教史上没有很大的相关性,也没有在印度文学中作为一个圣人诗人,他非常冒险的生活启发了圣徒传记作者,所以他的传说是北印度圣徒传记中更广泛和广泛的一个。本文主要关注Bhaktamāl及其两个主要评论。对pā pā和s ā tā圣人传记的批判性分析揭示了在“奉爱宗教”中,佛法和vairāgya的概念是如何被重新制定并完全服从于奉爱的。此外,关于bhakta和Bhagavān的同质性的教义是理解在bhakti运动中,以及因此在圣人传记中,bhakta- sevha如何成为bhakti、佛法和vairāgya的交汇点的基本关键,就像pā pha ā和s ā tha ā sahkar ā的故事一样。
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引用次数: 0
Depicting the others: Late Bronze Age Southern Levant’s cultural identity and adornment from the Egyptian view. Reality vs Perception 描绘他人:从埃及人的角度看青铜时代晚期南黎凡特的文化认同和装饰。现实vs感知
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3358
G. Tucci
The Egyptian presence in the Southern Levant during the Late Bronze Age is to be considered as rooted and capillary on the territory. Nevertheless, by excluding some written sources as the Letters of el-Amarna, it is practically impossible to evaluate local perceptions and representations of who populated the region during this period. In fact, Southern Levant presents an extreme lack of human depictions and iconographies, thus Egyptian direct witnesses become very useful to provide a vivid picture of society and its prominent historical protagonists. “Asiatics” depictions on reliefs, paintings and Egyptian artifacts, give us a quite punctual idea of who the Levantines were and what they wore during this period. The paper means to focus on the analysis of the personal ornaments by which “Asians” are identified and represented, as well as on the function of ethnic, cultural and identity markers these items represent in the depictions. An iconographic and stylistic analysis will try to show the association between images and objects through material culture findings in and extra context, though bearing in mind the asymmetric vision the Egyptians had in perceiving themselves and representing other people, sometimes far more distant than it appeared.
在青铜时代晚期,埃及人在南黎凡特的存在被认为是扎根于这片领土上的。然而,由于排除了一些书面资料,如el-Amarna的信件,实际上不可能评估当地人对这一时期居住在该地区的人的看法和表现。事实上,黎凡特南部极度缺乏人类的描绘和肖像,因此,埃及人的直接目击者非常有用,可以提供一幅生动的社会图景及其著名的历史人物。浮雕、绘画和埃及文物上对“亚洲人”的描绘,让我们对黎凡特人是谁以及他们在这个时期的穿着有了一个相当精确的了解。本论文的目的是着重分析那些被用来识别和表现“亚洲人”的个人饰品,以及这些物品在描绘中所代表的民族、文化和身份标记的功能。肖像学和风格分析将试图通过物质文化发现和额外的背景来展示图像和物体之间的联系,尽管要记住埃及人在感知自己和代表他人时的不对称视觉,有时比它看起来的要远得多。
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引用次数: 0
Terms of address in the Pubian dialect of Lampung (Indonesia) 楠榜(印度尼西亚)蒲边方言中的称呼语
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3609
Iin Sunarti, N. Sumarti, B. Riadi, G. E. Putrawan
One of Lampung (Sumatra, Indonesia) sub-ethnic groups, the Pubian Lampung people, has unique and varied terms of address equipped with a set of rules to use them. However, despite the great importance of the terms of address of the Pubian dialect of the Lampung language as assets of local and national cultures that need attention, protection and development, few researchers have studied this issue. Hence, this study was aimed at investigating the terms of address used in the Pubian Lampung language. This study, which provides a descriptive analysis of the entire system of terms of address, was conducted through a qualitative approach in which the data were collected through observations and interviews. The results of this study show that the terms of address of the Pubian Lampung language include: 1. kinship terms of address based on blood relation and marriage; 2. non-kinship terms of address used to address conversation partners from the same ethnicity, newly-known/unknown conversation partners from the same ethnicity, known conversation partners from the same ethnicity, conversation partners of different ethnicities, newly-known or unknown conversation partners of different ethnicities, known conversation partners of different ethnicities; 3. terms of address based on family background which include religious, ordinary (non-noble), noble families; 4. terms of endearment; 5. terms of reference; 6. terms of address based on birth order; 7. customary title terms of address based on customary status/rank and marriage; 8. pronouns of address; 9. terms of address of proper names; and 10. religious terms of address. Finally, the implications and limitations of this study with some suggestions for future research are discussed.
作为楠榜(印度尼西亚苏门答腊岛)的一个子民族,蒲边楠榜人有着独特而多样的称呼语,并有一套使用这些称呼语的规则。然而,尽管楠榜语蒲边方言的称呼语作为地方和民族文化的资产非常重要,需要关注、保护和发展,但很少有研究人员对这一问题进行研究。因此,本研究旨在调查蒲边-楠榜语中使用的称呼语。这项研究对整个称呼语系统进行了描述性分析,采用了定性方法,通过观察和访谈收集数据。研究结果表明,蒲边楠榜语的称呼语包括:1。基于血缘关系和婚姻关系的亲属称谓;2.非亲属称谓,用于称呼同一种族的会话伙伴、新认识/未知的同一种族会话伙伴、已知的同一民族会话伙伴、不同民族的会话伙伴,新认识或未知的不同民族会话伙伴,已知的不同民族的对话伙伴;3.基于家庭背景的称呼条件,包括宗教、普通(非贵族)、贵族家庭;4.亲信用语;五职权范围;6.基于出生顺序的地址条件;7.基于习惯身份/等级和婚姻的习惯头衔和地址;8.称呼代词;(九)专有名称的地址条件;和10。宗教用语。最后,讨论了本研究的意义和局限性,并对未来的研究提出了一些建议。
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引用次数: 3
Tony K. Stewart. Witness to Marvels. Sufism and Literary Imagination (2019) 托尼·K·斯图尔特。见证奇迹。苏菲主义与文学想象(2019)
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3952
Ewa A. Łukaszyk
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引用次数: 0
Les enjeux de la traduction arabe des antithèses dans la presse française 法语媒体中对立的阿拉伯语翻译问题
Q2 Arts and Humanities Pub Date : 2019-12-27 DOI: 10.13135/1825-263X/3608
Adnan Smadi, Shereen Kakish
Any translator has the mission to translate a text or interpret a speech while retaining the meaning and while remaining as faithful as possible to the source text or speech. The goal of the translator is to transfer the text from the source language to the target language so that the meaning and style of writing remain the same. However, because of the differences between languages, it is often difficult to preserve an exact translation of the source text. The translator is therefore confronted with issues in his translation work, especially when it comes to figurative meanings. This article discusses some of these issues in journalistic texts. We propose in this study to examine the translation of the antithesis in some French newspapers and its translation into Arabic, thus shedding light on the way in which the translators manage their work and the different types of translation that they may be confronted with.
任何译者都有翻译文本或解读演讲的使命,同时保留意义,并尽可能忠实于原文或演讲。译者的目标是将文本从源语言转移到目标语言,使其含义和写作风格保持不变。然而,由于语言之间的差异,通常很难保存源文本的准确翻译。因此,译者在翻译工作中会遇到一些问题,尤其是在比喻意义方面。本文讨论了新闻文本中的一些问题。在这项研究中,我们建议研究一些法国报纸上的对偶词的翻译及其到阿拉伯语的翻译,从而揭示译者管理工作的方式以及他们可能面临的不同类型的翻译。
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引用次数: 0
期刊
Kervan
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