{"title":"A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context","authors":"J. Kelder, L. Bricault, R. Schneider","doi":"10.1086/697381","DOIUrl":null,"url":null,"abstract":"This paper aims to highlight the cultural biography of a small alabaster vessel in the collection of the J. Paul Getty Museum. This anthropomorphic alabaster scent bottle, which is dated to ca. 575–550 BCE and thought to have been made in Naucratis in Egypt, is presented as a Greek artifact in the Getty Villa’s permanent exhibition. This paper challenges this description and argues instead that the vessel is better understood as a cultural hybrid. We suggest that, by merging Egyptian, Phoenician, Greek, and/or Cypriot influences into a single object, the artists that created such interesting vessels were catering to a surprisingly international market. Thus, objects such as the Getty alabastron can be understood as emblems for an increasingly connected world and as symbols of the eclectic nature of Classical Greek culture.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"10 1","pages":"1 - 16"},"PeriodicalIF":0.1000,"publicationDate":"2018-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/697381","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Getty Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/697381","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This paper aims to highlight the cultural biography of a small alabaster vessel in the collection of the J. Paul Getty Museum. This anthropomorphic alabaster scent bottle, which is dated to ca. 575–550 BCE and thought to have been made in Naucratis in Egypt, is presented as a Greek artifact in the Getty Villa’s permanent exhibition. This paper challenges this description and argues instead that the vessel is better understood as a cultural hybrid. We suggest that, by merging Egyptian, Phoenician, Greek, and/or Cypriot influences into a single object, the artists that created such interesting vessels were catering to a surprisingly international market. Thus, objects such as the Getty alabastron can be understood as emblems for an increasingly connected world and as symbols of the eclectic nature of Classical Greek culture.
期刊介绍:
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.