Knowledge in our hands: Analytical tools for craft knowledge communication

IF 0.3 0 ART Craft Research Pub Date : 2022-09-01 DOI:10.1386/crre_00078_1
Tina Westerlund
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引用次数: 1

Abstract

Craft knowledge is built from examples of experiential knowledge, and when individual or group experiences are gathered and compared, new knowledge is created. This requires socialization between practitioners or a systematic collection of practice descriptions, such as in a manual. However, there is always a risk that knowledge that is difficult to put into words will never be captured or communicated. The aim of this article is to show how theoretical frameworks can be used as analytical tools to help us develop methods that support the communication of craft knowledge. Using a research-through-practice approach in the field of horticulture combined with frameworks based on Bengt Molander’s concept of three knowledge orientations and Nonaka and Takeuchi’s knowledge conversation criteria (SECI-model), I will discuss how it is possible to make practitioners’ subjective knowledge more readily available to others.
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我们手中的知识:工艺知识交流的分析工具
工艺知识是从经验知识的例子中建立起来的,当个人或团体的经验被收集和比较时,新的知识就被创造出来了。这需要实践者之间的社会化或实践描述的系统集合,例如在手册中。然而,总是存在一种风险,即难以用语言表达的知识永远不会被捕获或交流。本文的目的是展示如何将理论框架用作分析工具,以帮助我们开发支持工艺知识交流的方法。在园艺领域,我将采用一种通过实践进行研究的方法,结合基于Bengt Molander的三种知识导向概念和Nonaka和Takeuchi的知识对话标准(seci模型)的框架,讨论如何使从业者的主观知识更容易为他人获得。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
28
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