Camera, Canvas, and Qibla: Late Ottoman Mobilities and the Fatih Mosque Painting

IF 0.7 2区 艺术学 0 ARCHITECTURE Muqarnas Pub Date : 2021-12-06 DOI:10.1163/22118993-00381p09
Sabiha Göloğlu
{"title":"Camera, Canvas, and Qibla: Late Ottoman Mobilities and the Fatih Mosque Painting","authors":"Sabiha Göloğlu","doi":"10.1163/22118993-00381p09","DOIUrl":null,"url":null,"abstract":"\nThis article discusses the multiple mobilities of images, photographs, photographers, viewers, and places by focusing on Miʿmarzade Muhammed ʿAli’s (d. 1938) oil-on-canvas painting, now located in the Fatih Mosque in Istanbul. It explores the limits, lives, possibilities, and uses of photographic views and the exchanges between photography, painting, and print media by investigating the geopolitics and geopiety of the Hamidian era (i.e., Sultan ʿAbdülhamid II, r. 1876–1909), the production and circulation of early photographs of Mecca and Medina, and the spatial tradition of qibla decorum. It examines the photographic oeuvres of Christiaan Snouck Hurgronje (d. 1936), al-Sayyid ʿAbd al-Ghaffar, and the committee of the Erkān-ı Ḥarbiyye (General Military Staff), including Muhammad Sadiq Bey (d. 1902), as well as the reproductions and changing contexts of these photographs. Furthermore, this article highlights the role of print media in the dissemination and mobilization of the photographic image and the malleable politics of representation, especially as it pertains to the two sacred cities of Mecca and Medina.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muqarnas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22118993-00381p09","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0

Abstract

This article discusses the multiple mobilities of images, photographs, photographers, viewers, and places by focusing on Miʿmarzade Muhammed ʿAli’s (d. 1938) oil-on-canvas painting, now located in the Fatih Mosque in Istanbul. It explores the limits, lives, possibilities, and uses of photographic views and the exchanges between photography, painting, and print media by investigating the geopolitics and geopiety of the Hamidian era (i.e., Sultan ʿAbdülhamid II, r. 1876–1909), the production and circulation of early photographs of Mecca and Medina, and the spatial tradition of qibla decorum. It examines the photographic oeuvres of Christiaan Snouck Hurgronje (d. 1936), al-Sayyid ʿAbd al-Ghaffar, and the committee of the Erkān-ı Ḥarbiyye (General Military Staff), including Muhammad Sadiq Bey (d. 1902), as well as the reproductions and changing contexts of these photographs. Furthermore, this article highlights the role of print media in the dissemination and mobilization of the photographic image and the malleable politics of representation, especially as it pertains to the two sacred cities of Mecca and Medina.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
相机、画布和奇布拉:奥斯曼帝国晚期的军事行动和法提赫清真寺的绘画
本文通过关注Miʿmarzade Muhammed \703 Ali(1938年)的画布油画来讨论图像、照片、摄影师、观众和地点的多重流动性,该油画现在位于伊斯坦布尔的法提赫清真寺。它探索了摄影观点的局限性、生活、可能性和用途,以及摄影、绘画和印刷媒体之间的交流,通过调查哈米迪亚时代的地缘政治和地理环境(即苏丹Abdülhamid II,r.1876-1909),麦加和麦地那早期照片的制作和流通,以及奇布拉礼仪的空间传统。它考察了Christiaan Snouck Hurgronje(1936年)、al-SayyidʿAbd al-Ghaffar和Erkān-ı委员会的摄影作品Ḥarbiiye(总参谋部),包括穆罕默德·萨迪克·贝伊(1902年),以及这些照片的复制品和不断变化的背景。此外,这篇文章强调了印刷媒体在传播和动员摄影图像和可延展的代表政治方面的作用,特别是在涉及麦加和麦地那这两个圣城的情况下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
期刊最新文献
Made in the City of Baghdad? Medieval Textile Production and Pattern Notation Systems of Early Lampas Woven Silks Patrons, Painters, Women In Distress: The Changing Fortunes of Nevʿizade Atayi and Üskübi Mehmed Efendi in Early Eighteenth-Century Istanbul The Palanquin Thrones of the ʿAlawite Sultans of Morocco A Scholar, Calligrapher, and Illuminator in Early Fourteenth-Century Cairo: The Illuminated Manuscripts of Ahmad al-Mutatabbib “Angels of the Angels”: Abdüllatif Subhi Paşa’s Coins, Egypt, and History
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1