{"title":"Commentary on Lahdelma and Eerola","authors":"M. Spitzer","doi":"10.18061/emr.v14i1-2.5100","DOIUrl":null,"url":null,"abstract":"This commentary offers a critique of the idea that nostalgia can be conveyed by a single chord – a major 7 th . The commentary questions the constancy of emotion conveyed by a single chord in its different manifestations, and the extent to which it can afford perception of a complex emotion such as nostalgia.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":"14 1","pages":"87-88"},"PeriodicalIF":0.6000,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v14i1-2.5100","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
This commentary offers a critique of the idea that nostalgia can be conveyed by a single chord – a major 7 th . The commentary questions the constancy of emotion conveyed by a single chord in its different manifestations, and the extent to which it can afford perception of a complex emotion such as nostalgia.
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