The Dance and Movement Work of Jennifer Pike Cobbing: Economies of Effort and Vitality Dynamics

S. Thurston
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Abstract

Jennifer Pike (1920-2016) was a majorartist whose practice traversed the disciplines of painting, drawing,sculpture, textiles, ceramics, photography, jewellery-making, poetry andperformance. Although a fuller appreciation of the scale and range of herachievements has been recently enabled by the making of a film about her lifeand work by Holly Antrum (Catalogue,2013) and the publication of two volumes of selected works by Veer books (The Conglomerization of Wot and Scrunch, both 2010), her work has stillyet to be the subject of extended academic consideration. One aspect of Pike’spractice which is of particular interest to my larger project of examining therelationships between poetry and movement (2011, 2012, 2013), is her dance andmovement work which was often conducted in the context of collaborativeperformance with sound and visual poet Bob Cobbing and musicians such as VeryanWeston, Lol Coxhill and Hugh Metcalfe. This article introduces this aspect ofPike’s practice and offers some theoretical framing from Dee Reynolds’ work oneconomies of effort (2007) and Daniel Stern’s work on vitality dynamics (2010)before analysing recordings of performances in 2002 and 2007.
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詹妮弗·派克·科宾的舞蹈和运动作品:努力和活力动态的经济
詹妮弗·派克(1920-2016)是一位重要的艺术家,她的实践跨越了绘画、素描、雕塑、纺织品、陶瓷、摄影、珠宝制作、诗歌和表演等学科。尽管最近Holly Antrum拍摄了一部关于她的生活和工作的电影(目录,2013年),并出版了两卷Veer书籍选集(Wot的集束化和scrumch,都是2010年),人们对她的成就的规模和范围有了更全面的了解,但她的工作仍有待于广泛的学术研究。派克实践的一个方面是我研究诗歌和运动之间关系的更大项目(2011年,2012年,2013年)特别感兴趣的,是她的舞蹈和运动作品,这些作品经常在与声音和视觉诗人鲍勃·科宾和音乐家(如VeryanWeston, Lol Coxhill和Hugh Metcalfe)合作表演的背景下进行。本文介绍了派克实践的这一方面,并在分析2002年和2007年的表演录音之前,从迪·雷诺兹(Dee Reynolds)关于努力经济(2007)和丹尼尔·斯特恩(Daniel Stern)关于活力动力学(2010)的工作中提供了一些理论框架。
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0.30
自引率
0.00%
发文量
20
审稿时长
12 weeks
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