The Will and Testament in English Renaissance Drama: Paper Props, Property, and Ulpian Fulwell’s Like Will to Like

Q3 Arts and Humanities Renaissance Drama Pub Date : 2022-03-01 DOI:10.1086/719472
Douglas J Clark
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Abstract

ills helped to define the political and religious climate of early modern England. The Acts of Succession (1533–43/44), which eventually w gave Henry VIII power “to assign the crown by letters patent or his last will,” circumvented the traditional rules concerning the transference of royal power and helped fuel the dynastic crises that followed Edward VI’s death. Defining the relation between God’s salvific will and human will also helped mark intellectual and doctrinal boundaries in early modern Europe. As Risto Saarinen notes, “Freedomof choice became one of the great discussion topics of theReformation.” The few studies that have examined the important role that forms of will making and willpower play in sixteenthand seventeenth-century literature do, however, primarily focus on Shakespeare’s oeuvre. Despite “being so rich in Will,” we
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疾病帮助定义了早期现代英格兰的政治和宗教氛围。《继承法案》(1533–43/44)最终赋予亨利八世“通过专利书或其遗愿转让王位”的权力,绕过了有关王室权力转移的传统规则,并助长了爱德华六世去世后的王朝危机。界定上帝的救赎意志和人类意志之间的关系也有助于标记现代欧洲早期的知识和教义界限。正如里斯托·萨里宁(Risto Saarinen)所指出的,“自由选择成为宗教改革的一大讨论主题。”然而,少数研究主要集中在莎士比亚的作品上,这些研究考察了意志形成和意志力在十六世纪和十七世纪文学中的重要作用。尽管“意志如此丰富”,我们
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来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
8
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