‘Storytelling is storytelling’: Resilience, gender and screenwriting in Fair City

IF 0.4 0 FILM, RADIO, TELEVISION Journal of Popular Television Pub Date : 2022-06-01 DOI:10.1386/jptv_00075_1
K. Gorton
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引用次数: 0

Abstract

This article explores the resilience of soap screenwriters and the resilient characters they create in soap opera through interviews with screenwriters on the Dublin-based soap opera Fair City (1989‐present). The article also draws on an interview with Brigie de Courcy, executive producer of Fair City, to highlight the effects of the coronavirus pandemic on soap operas. The interview reveals inherent characteristics of the soap genre, including the habitual viewing of its audience and the ways in which the soap narrative relies on the physical proximity of its actors. The interview also reflects the genre’s resilience and the resilience of the people who work within it.
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“讲故事就是讲故事”:《美丽城市》中的韧性、性别和编剧
本文通过对都柏林肥皂剧《公平之城》(1989年至今)的编剧的采访,探讨了肥皂剧编剧的弹性和他们在肥皂剧中创造的弹性角色。这篇文章还引用了对《公平城市》执行制片人布里吉·德库西的采访,强调了冠状病毒大流行对肥皂剧的影响。采访揭示了肥皂剧类型的固有特征,包括观众的习惯性观看方式,以及肥皂剧叙事依赖于演员身体接近的方式。采访也反映了这一类型的弹性和在其中工作的人的弹性。
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来源期刊
Journal of Popular Television
Journal of Popular Television FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
14
期刊最新文献
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