{"title":"O","authors":"Nichtamtliche Lesefassung","doi":"10.1515/9783111548050-026","DOIUrl":null,"url":null,"abstract":": This paper analyzes Adélia, Joana, and Quiquina, black characters in the Lucas Procópio (1985) and Ópera dos mortos (1967) novels, by Autran Dourado. Although they are all black, there is a disparity between them. While the first is a mulatto who exchanges her freedom for sexual favors, freed by colonel Lucas Procópio – Isaltina’s husband – the others are portrayed as enslaved women living for sinhá Isaltina and boss Rosalina. For the social space occupied by these characters and the historical moment portrayed in the work analysis, this article is based on Gilberto Freyre (1933) and Roberto Reis (1987),","PeriodicalId":92199,"journal":{"name":"Edinburgh medical and surgical journal","volume":"20 1","pages":"353 - 353"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/9783111548050-026","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Edinburgh medical and surgical journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783111548050-026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
: This paper analyzes Adélia, Joana, and Quiquina, black characters in the Lucas Procópio (1985) and Ópera dos mortos (1967) novels, by Autran Dourado. Although they are all black, there is a disparity between them. While the first is a mulatto who exchanges her freedom for sexual favors, freed by colonel Lucas Procópio – Isaltina’s husband – the others are portrayed as enslaved women living for sinhá Isaltina and boss Rosalina. For the social space occupied by these characters and the historical moment portrayed in the work analysis, this article is based on Gilberto Freyre (1933) and Roberto Reis (1987),
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