Teaching electronic music – journeys through a changing landscape

Simon Emmerson
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引用次数: 1

Abstract

In this essay, electronic music composer Simon Emmerson examines the development of electronic music in the UK through his own experience as composer and teacher. Based on his lifetime experiences, Emmerson talks about the changing landscape of teaching electronic music composition: ‘learning by doing’ as a fundamental approach for a composer to find their own expressive voice; the importance of past technologies, such as analogue equipment and synthesizers; the current tendencies of what he calls the ‘age of the home studio’; the awareness of sonic perception, as opposed to the danger of visual distraction; questions of terminology in electronic music and the shift to the digital domain in studios; among other things. [note by editor].
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教学电子音乐-旅程通过一个不断变化的景观
在这篇文章中,电子音乐作曲家Simon Emmerson通过自己作为作曲家和教师的经历来审视英国电子音乐的发展。根据埃默森的一生经历,他谈到了电子音乐创作教学的变化:“边做边学”是作曲家找到自己富有表现力的声音的基本途径;模拟设备和合成器等过去技术的重要性;他称之为“家庭工作室时代”的当前趋势;声音感知的意识,而不是视觉分心的危险;电子音乐中的术语问题以及工作室向数字领域的转变;除其他外。[编者按]。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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20
审稿时长
12 weeks
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