small forces

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY Public Culture Pub Date : 2022-10-31 DOI:10.1215/08992363-9937424
R. Gupte, Prasad Shetty
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Abstract

This essay discusses cities as composites of small forces of energetic selves. Energetic self here is the dimension of the self that drives one to undertake activities connected to one's desires. These could include collecting strange objects, achieving mundane targets, opposing new ideas, behaving like a spy, counting every tree, tracking obscure data, occupying obscure spaces, and so on. Energetic selves also express themselves in everyday friendships and compassions. These practices go beyond the acts of routine and are considered unproductive in conceptualizing cities. They remain small and are often discarded as stray individual preoccupations, anecdotes, or subjective obsessions. While some of these are related to earnings and occupations, others are simply “useless.” However, everyone seems to have a trip that one lives with and for, and which provides individuals with their energies and cities with their oneiric spaces. Such energies, expressed in absurd quests, unusual obsessions, and bizarre interests cumulatively appear to be producing the city. In many ways the city seems to be a madhouse and madness seems to be running it. The city seems to acquire its generative energy from such small forces. Urban theory and pedagogy have however seldom engaged with an understanding of these small forces or extended it for speculative or projective purposes. Spatial professionals often take up the burden of acting like and being the modern state, which has to operate through modern imperatives of empiricism, technolegality, property regimes, boundaries, and so on. But while these imperatives are limited in understanding life, they are also not completely capable of handling the complexities of the urban. The paper further discusses a variety of ideas like settling; semi-fictional stories and montages; the blur; and transactional capacities to rethink the ways in which one could articulate newer ways to engage with the city.
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小的力量
这篇文章讨论了城市是能量自我的小力量的复合体。精力充沛的自我在这里是自我的维度,驱使一个人从事与自己欲望相关的活动。这些可能包括收集奇怪的物体、实现平凡的目标、反对新想法、表现得像间谍、数每棵树、跟踪模糊的数据、占据模糊的空间等等。精力充沛的自我也在日常友谊和同情中表达自己。这些做法超出了常规行为,在城市概念化方面被认为是徒劳的。它们仍然很小,经常被当作零散的个人关注、轶事或主观痴迷而丢弃。虽然其中一些与收入和职业有关,但另一些则是“无用的”。然而,每个人似乎都有一次与之相伴的旅行,它为个人提供了能量,为城市提供了经验空间。这种能量,在荒谬的追求、不同寻常的痴迷和奇异的兴趣中表现出来,似乎正在累积产生这座城市。在许多方面,这座城市似乎是一座疯人院,疯狂似乎在运行着它。这座城市仿佛从这些小力量中获得了它的生成能量。然而,城市理论和教育学很少对这些小力量进行理解,也很少出于推测或投射的目的对其进行扩展。空间专业人士经常承担起表现得像现代国家的责任,而现代国家必须通过经验主义、技术性、财产制度、边界等现代要求来运作。但是,尽管这些要求在理解生活方面受到限制,但他们也不完全有能力处理城市的复杂性。本文进一步探讨了定居等多种思想;半虚构的故事和蒙太奇;模糊;以及重新思考与城市互动的新方式的交易能力。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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