Forms of Show Kuda Lumping Ronggo Budoyo in The Village of Lematang Jaya, Lahat, South Sumatera

E. Anggraini, Agus Cahyono
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引用次数: 2

Abstract

Kuda Lumping is a popular Javanese art, Kuda Lumping is also called Jaran Kepang or Jathilan. Kuda Lumping is a traditional Javanese dance showing a group of warriors riding on horses which the horses are made of buffalo leather that has been dried or made from plait work of bamboo which is then given a motif or ornament and designed like a horse. This study aims to analyze how and understand the form of art performances Kuda Lumping in Lematang Jaya Village, Merapi Timur, Lahat. Theoretically, the research uses interdisciplinary ethnocoreology approach, art sociology, art psychology, and aesthetics. The research methodology uses qualitative research by describing and interpreting the findings in the field. The study used case study design. Data collection techniques used interviews, observations and document studies. Data validity technique used is source triangulation while data analyst technique is done by reducing data, presenting data and drawing conclusion. The results showed that Ronggo Budoyo's lumping horse performance was divided into three phases first before the show consisting of preparation of motion and music practice, dancers dance, property and offerings / offerings. Both times the show opens with a small Pegon dance, followed by Blind dance, a teenage Pegon dance, Kucingan and ends with an adult Pegon dance. The last phase is after the show is the activity to restore the awareness of dancers by the handler and cleans up the dance music and dance equipment.
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Kuda Lumping Ronggo Budoyo在南苏门答腊拉哈特Lematang Jaya村的表演形式
Kuda Lumping是一种流行的爪哇艺术,Kuda Lumbing也被称为Jaran Kepang或Jathilan。Kuda Lumping是一种传统的爪哇舞蹈,展示了一群骑在马上的战士,马是由经过干燥的水牛皮制成的,或者是由竹子编织而成的,然后赋予其图案或装饰,设计成马的样子。本研究旨在分析和理解Kuda Lumping在拉哈特默拉皮帖木儿Lematang Jaya村的艺术表演形式。从理论上讲,该研究采用了跨学科的民族学方法、艺术社会学、艺术心理学和美学。研究方法采用定性研究,通过描述和解释该领域的研究结果。该研究采用了案例研究设计。数据收集技术采用访谈、观察和文献研究。数据有效性技术是源三角测量,而数据分析技术是通过减少数据、呈现数据和得出结论来实现的。结果表明,荣戈布多约的木马表演分为三个阶段,首先是表演前的动作准备和音乐练习、舞者舞蹈、财产和祭品。这两次演出都以小的佩贡舞开场,然后是盲人舞,一种青少年佩贡舞,Kucingan,最后以成人佩贡舞结束。最后一个阶段是在表演结束后,由指导人员恢复舞者的意识,并清理舞曲和舞蹈设备。
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审稿时长
24 weeks
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