Pub Date : 2020-12-23DOI: 10.15294/catharsis.v9i3.45298
Wahyu Iskandar, Muhammad Ibnan Syarif, W. Wadiyo
Wayang klitik is one of the traditional performances that are sacred as a means of bersih sendang ceremonial which is still sustainable today in Wonosoco Village, Undaan District, Kudus Regency. The purpose of this research is to examine the form of puppets and their functions in the bersih sendang ceremony. This study uses qualitative methods with interview data collection techniques, observation and document study. The data validity technique is based on credibility criteria, using data triangulation . Analysis of data is done through data collection, data reduction , data presentation, and data verification. The results of the study, regarding the shape of the wayang klitik made of flat wood formed according to the puppet character, carved and colored with simple decorative techniques, the puppet groups can be distinguished from face color , face shape , accessories, and body position. Wayang klitik in the bersih sendang ceremony has three functions, they are a personal function, a social function and a practical physical function. Personal function as a form of expression wayang klitik maker from realize his idea, social function as a means of rituals in the bersih sendang ceremony, entertainment exciting, educational media to the public, means of communication to God and dhanyang village, and physical function wayang klitik as props/puppets that portray the characters in the story that are playing.
Wayang klitik是一种传统表演，作为bersih sendang仪式的一种神圣手段，在库杜斯摄政区Undaan区的Wonosoco村至今仍然可持续。本研究的目的是探讨布偶的形式及其在贝思桑当仪式中的作用。本研究采用定性方法，采用访谈数据收集技术、观察和文献研究相结合的方法。数据有效性技术基于可信度标准，使用数据三角测量。数据分析是通过数据收集、数据缩减、数据展示和数据验证来完成的。研究结果表明，瓦扬克利提克是根据木偶的性格，采用简单的装饰技术雕刻和着色而成的，其形状可以从面部颜色、面部形状、配件和身体位置等方面进行区分。大礼中的大礼有三种功能，即个人功能、社会功能和实用身体功能。个人功能作为一种表达形式，瓦扬·克利提克从实现他的想法开始，社会功能作为贝尔西·森当仪式中的仪式手段，娱乐刺激，向公众提供教育媒体，与上帝和丹扬村沟通的手段，以及身体功能瓦扬·克里提克作为道具/木偶，描绘正在播放的故事中的人物。
{"title":"Wayang Klitik: Form and Function in the Bersih Sendang Ceremony in Wonosoco Village","authors":"Wahyu Iskandar, Muhammad Ibnan Syarif, W. Wadiyo","doi":"10.15294/catharsis.v9i3.45298","DOIUrl":"https://doi.org/10.15294/catharsis.v9i3.45298","url":null,"abstract":"Wayang klitik is one of the traditional performances that are sacred as a means of bersih sendang ceremonial which is still sustainable today in Wonosoco Village, Undaan District, Kudus Regency. The purpose of this research is to examine the form of puppets and their functions in the bersih sendang ceremony. This study uses qualitative methods with interview data collection techniques, observation and document study. The data validity technique is based on credibility criteria, using data triangulation . Analysis of data is done through data collection, data reduction , data presentation, and data verification. The results of the study, regarding the shape of the wayang klitik made of flat wood formed according to the puppet character, carved and colored with simple decorative techniques, the puppet groups can be distinguished from face color , face shape , accessories, and body position. Wayang klitik in the bersih sendang ceremony has three functions, they are a personal function, a social function and a practical physical function. Personal function as a form of expression wayang klitik maker from realize his idea, social function as a means of rituals in the bersih sendang ceremony, entertainment exciting, educational media to the public, means of communication to God and dhanyang village, and physical function wayang klitik as props/puppets that portray the characters in the story that are playing.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48828305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.15294/catharsis.v9i3.45347
Violinna Wynsa Natalia, W. Wadiyo, Udi Utomo
This study aims to identify, reveal, analyze and describe adaptation of Andy Irawan Music's efforts to deal with the Covid-19 pandemic in the wedding music industry. The author uses an interdisciplinary approach, by borrowing theories and concepts from the disciplines of musicology, sociology, and economics. The object in this study is industry and adaptation, with the subject Andy Irawan Music. The research design uses an interpretive case study located in Semarang. The data were collected through observation, interviews, and documentation. The results show that Andy Irawan Music could adapt during the Covid-19 pandemic. Adaptation efforts made by Andy Irawan Music include appearing with new formations, optimizing the use of social media/ digital platforms, applying virtual music, following recommended health protocols, participating in wedding showcases, and creating Andy Irawan Disciples.
{"title":"The Wedding Music Industry: An Adaptation of Andy Irawan Music during the Covid-19 Pandemic","authors":"Violinna Wynsa Natalia, W. Wadiyo, Udi Utomo","doi":"10.15294/catharsis.v9i3.45347","DOIUrl":"https://doi.org/10.15294/catharsis.v9i3.45347","url":null,"abstract":" This study aims to identify, reveal, analyze and describe adaptation of Andy Irawan Music's efforts to deal with the Covid-19 pandemic in the wedding music industry. The author uses an interdisciplinary approach, by borrowing theories and concepts from the disciplines of musicology, sociology, and economics. The object in this study is industry and adaptation, with the subject Andy Irawan Music. The research design uses an interpretive case study located in Semarang. The data were collected through observation, interviews, and documentation. The results show that Andy Irawan Music could adapt during the Covid-19 pandemic. Adaptation efforts made by Andy Irawan Music include appearing with new formations, optimizing the use of social media/ digital platforms, applying virtual music, following recommended health protocols, participating in wedding showcases, and creating Andy Irawan Disciples. \u0000 ","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44891506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.15294/catharsis.v9i3.45220
Yusnita Ferawati, H. Hartono, T. Triyanto
Guci dance is one of the dance creations from the Guci area in Tegal Regency which had a characteristic in its variety of movements and it was used as a material for the extracurricular art of dance. This study aims to provide an overview of the value of the creative character of the Guci Dance, which was given through the extracurricular activities learning of dance. The study was conducted by using a qualitative analysis research method with the research location at SMP Negeri 2 Bumijawa in Tegal Regency. The instruments and data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The results of the cultivation of creative character values through the extracurricular activities learning art of dance focused on 5 aspects, namely thinking in all directions, changing perspectives, generating ideas, stimulating backgrounds and skills in many ways.
古茨舞是特加尔摄政时期古茨地区的一种舞蹈创作，具有动作多样的特点，被用作课外舞蹈艺术的素材。本研究旨在通过课外舞蹈活动的学习，对古辞舞的创作品格的价值进行概述。本研究采用定性分析研究方法进行，研究地点位于Tegal Regency的SMP Negeri 2 Bumijawa。仪器和数据收集技术使用了观察、访谈和文献研究。数据有效性技术采用数据三角测量技术。同时，通过对数据的收集、还原、澄清和验证，进行了数据分析和处理技术。通过舞蹈艺术课外活动培养创造性人格价值的结果主要集中在五个方面，即全方位思考、转变视角、产生想法、激发背景和技能。
{"title":"The Value of Creative Character of Guci Dance Through The Extracurricular Art of Dance","authors":"Yusnita Ferawati, H. Hartono, T. Triyanto","doi":"10.15294/catharsis.v9i3.45220","DOIUrl":"https://doi.org/10.15294/catharsis.v9i3.45220","url":null,"abstract":"Guci dance is one of the dance creations from the Guci area in Tegal Regency which had a characteristic in its variety of movements and it was used as a material for the extracurricular art of dance. This study aims to provide an overview of the value of the creative character of the Guci Dance, which was given through the extracurricular activities learning of dance. The study was conducted by using a qualitative analysis research method with the research location at SMP Negeri 2 Bumijawa in Tegal Regency. The instruments and data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The results of the cultivation of creative character values through the extracurricular activities learning art of dance focused on 5 aspects, namely thinking in all directions, changing perspectives, generating ideas, stimulating backgrounds and skills in many ways.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43496935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.15294/CATHARSIS.V9I3.45644
Ario Bungsu, T. Triyanto, T. Rohidi
{"title":"The Cultural Messages of Pyramid House in Palembang","authors":"Ario Bungsu, T. Triyanto, T. Rohidi","doi":"10.15294/CATHARSIS.V9I3.45644","DOIUrl":"https://doi.org/10.15294/CATHARSIS.V9I3.45644","url":null,"abstract":"","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"244-252"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48294344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.15294/catharsis.v9i3.44612
Benidiktus Candra Pamungkas, Udi Utomo, T. Florentinus
Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning
佳美兰Soepra是一种佳美兰乐器，它的调性已经改变为全音阶，并且有更高的wadhah。佳美兰Soepra具有全音阶性，能够与当今的现代乐器相结合，能够演奏许多歌曲。甘美兰Soepra的独特性被Pater van Deinse作为SMA Kolese Loyola的音乐教育。Gamelan Soepra是一种结合反思性教学法的教育工具。反思性教学法有几个要素，即:情境、经验、反思、行动和评价。本研究旨在了解反思性教学法元素在佳美兰索普拉学习过程中的实施情况。作者收集资料的方法为观察法、访谈法和文献研究法。通过反思性教学法的学习，不仅能培养学生演奏音乐的能力(Competence)，还能培养学生的良知(Compassion)、良知以及对自己选择的承诺和责任(commitment)。本研究可望为学习方法的发展，尤其是音乐学习提供参考
{"title":"An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra","authors":"Benidiktus Candra Pamungkas, Udi Utomo, T. Florentinus","doi":"10.15294/catharsis.v9i3.44612","DOIUrl":"https://doi.org/10.15294/catharsis.v9i3.44612","url":null,"abstract":"Gamelan Soepra is a gamelan instrument that has been changed in tonality to diatonic and has a higher wadhah. With its diatonic tonality, Gamelan Soepra is able to be combined with today's modern instruments and it is able to play many song. The uniqueness of the Gamelan Soepra was used by Pater van Deinse as a music education at SMA Kolese Loyola. Gamelan Soepra is a tool for educating thar is combined with reflective pedagogy as an educational method. Reflective pedagogy has several elements, namely: context, experience, reflection, action, and evaluation. This study aims to understand the implementation of the reflective pedagogy elements in the learning process of Gamelan Soepra. The methods used by the author in collecting data were observation, interview, and document study. Gamelan Soepra Learning through reflective pedagogy not only develops students' abilities in playing music (Competence), but students also are trained to hone and develop their conscience (Compassion), conscience and their commitment and responsibility to what they have chosen (Commitment). This s is study expected to be a reference for developing learning methods, especially music learning","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42074962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-31DOI: 10.15294/catharsis.v8i4.37181
Mukhlisin Mukhlisin, H. Hartono, R. Lanjari
The learning process is inseparable from the educational values that occurs during the learning and teaching activities taking place, and also in the learning process of Jonggan Dayak Kanayatn Dance. This study examined the educational value in the learning process of Jonggan Dayak Kanayatn Dance in elementary schools. This research used qualitative method and educational approach. Data collection used observation, interview and document study technique. Data analysis procedures used data reduction, data presentation and data verification. Analysis of the educational value in the learning process of Jonggan Dayak Kanayatn Dance used Rosyadi and Hasbullah Analysis. The validity of the data in this study used triangulation of data sources. The results of the study were: 1). Religious Value; 2). Discipline Value; 3). Responsibility Value; 4). Independence Value; 5). Tolerance Value and Hard Work Value. Specifically, the findings in the Jonggan Dayak Kanayatn Dance learning process, there was an educational value that is reflected in the Jonggan Dayak Kanayatn Dance learning process in Elementary Schools. The benefits of the results of this study can be used as a reference in dance learning in particular and in learning other arts in general.
{"title":"Jonggan Dayak Kanayatn Dance: Study of Educational Values in The Learning Process in Elementary Schools","authors":"Mukhlisin Mukhlisin, H. Hartono, R. Lanjari","doi":"10.15294/catharsis.v8i4.37181","DOIUrl":"https://doi.org/10.15294/catharsis.v8i4.37181","url":null,"abstract":"The learning process is inseparable from the educational values that occurs during the learning and teaching activities taking place, and also in the learning process of Jonggan Dayak Kanayatn Dance. This study examined the educational value in the learning process of Jonggan Dayak Kanayatn Dance in elementary schools. This research used qualitative method and educational approach. Data collection used observation, interview and document study technique. Data analysis procedures used data reduction, data presentation and data verification. Analysis of the educational value in the learning process of Jonggan Dayak Kanayatn Dance used Rosyadi and Hasbullah Analysis. The validity of the data in this study used triangulation of data sources. The results of the study were: 1). Religious Value; 2). Discipline Value; 3). Responsibility Value; 4). Independence Value; 5). Tolerance Value and Hard Work Value. Specifically, the findings in the Jonggan Dayak Kanayatn Dance learning process, there was an educational value that is reflected in the Jonggan Dayak Kanayatn Dance learning process in Elementary Schools. The benefits of the results of this study can be used as a reference in dance learning in particular and in learning other arts in general.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"58-64"},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42573528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-31DOI: 10.15294/catharsis.v8i4.37936
Wahyu Prasetyo Bekti, S. Sunarto, Udi Utomo
Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.
{"title":"The Values of Jaranan Pogogan Art Teguh Rahayu at Sugihwaras Village, Prambon Sub-District, Nganjuk Regency.","authors":"Wahyu Prasetyo Bekti, S. Sunarto, Udi Utomo","doi":"10.15294/catharsis.v8i4.37936","DOIUrl":"https://doi.org/10.15294/catharsis.v8i4.37936","url":null,"abstract":"Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42620851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-31DOI: 10.15294/catharsis.v9i1.39732
Efriyeni Chaniago, Tjetjep Rohendi Rohidi, T. Triyanto
BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.
{"title":"The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity","authors":"Efriyeni Chaniago, Tjetjep Rohendi Rohidi, T. Triyanto","doi":"10.15294/catharsis.v9i1.39732","DOIUrl":"https://doi.org/10.15294/catharsis.v9i1.39732","url":null,"abstract":"BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"38-49"},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45002361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-31DOI: 10.15294/catharsis.v8i4.37199
Kembang Ayu Agustya, Udi Utomo, T. Triyanto
Rapa’i Tuha music comes from Aceh, there are many religious messages conveyed through song lyrics. The purpose of this study was to analyze the religious messages contained in the lyrics of the Rapa’i Tuha Aceh music song. This research used a communication approach using qualitative research methods. Data collection techniques were using observation, interviews and documentation. Data analysis procedures were carried out through data reduction, presentation and verification. Data validity used triangulation of data sources, methods and theories. Analysis of religious messages in song lyrics in Rapa’i Tuha music used communication analysis by Effendy, namely the presence of messages and communicators, recipients of messages and the presence of media. The results of this study indicated that the Rapa’i Tuha contains religious messages namely the message of faith and the message of morals. Specifically, the findings in this study were that there was a message of faith which means everything that should be trusted, believed and faithful as a Muslim. As well as moral messages which are reflected in the behavior patterns of our fellow human beings where all of these religious messages are contained in song lyrics in Rapa’i Tuha Aceh music.
{"title":"Religious Messages in Rapa’i Tuha Aceh Song Lyrics","authors":"Kembang Ayu Agustya, Udi Utomo, T. Triyanto","doi":"10.15294/catharsis.v8i4.37199","DOIUrl":"https://doi.org/10.15294/catharsis.v8i4.37199","url":null,"abstract":"Rapa’i Tuha music comes from Aceh, there are many religious messages conveyed through song lyrics. The purpose of this study was to analyze the religious messages contained in the lyrics of the Rapa’i Tuha Aceh music song. This research used a communication approach using qualitative research methods. Data collection techniques were using observation, interviews and documentation. Data analysis procedures were carried out through data reduction, presentation and verification. Data validity used triangulation of data sources, methods and theories. Analysis of religious messages in song lyrics in Rapa’i Tuha music used communication analysis by Effendy, namely the presence of messages and communicators, recipients of messages and the presence of media. The results of this study indicated that the Rapa’i Tuha contains religious messages namely the message of faith and the message of morals. Specifically, the findings in this study were that there was a message of faith which means everything that should be trusted, believed and faithful as a Muslim. As well as moral messages which are reflected in the behavior patterns of our fellow human beings where all of these religious messages are contained in song lyrics in Rapa’i Tuha Aceh music.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42204916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-31DOI: 10.15294/catharsis.v9i1.38475
Ika Aditia Candra Buana, H. Hartono, T. Triyanto
Sada Sabai dance as one of South Sumatra's traditional art works, especially in East Ogan Komering Ulu Regency is very closely related to Komering culture. Sada Sabai dance is one of the characteristics of the Komering culture that dwells in the South Sumatra region, created based on the spirit of the Komering community when holding a traditional wedding ceremony. Sada Sabai dance is one form of art that is used by many Komering people who are presented during the traditional wedding ceremony. The problem raised in this study aims to analyze the characteristics of the Sada Sabai dance that developed in the Komering culture. The method used is a qualitative method with a case study research design. Data collection techniques include observation, interview and document study. The results showed that Sada Sabai dance was a symbol of the harmony between the bride and groom family, so that in the past Sada Sabai dance was only danced by married families. This phenomenon was clearly seen when the groom's family and the bride danced on the stage how the two of them looked very close to each other. Then, the movement in Sada Sabai dance emphasized improvisation and exploration as its main approach and the main characteristic lied in the middle fingers of the dancers.
{"title":"Sada Sabai Dance in Komering Culture of East OKU Regency","authors":"Ika Aditia Candra Buana, H. Hartono, T. Triyanto","doi":"10.15294/catharsis.v9i1.38475","DOIUrl":"https://doi.org/10.15294/catharsis.v9i1.38475","url":null,"abstract":"Sada Sabai dance as one of South Sumatra's traditional art works, especially in East Ogan Komering Ulu Regency is very closely related to Komering culture. Sada Sabai dance is one of the characteristics of the Komering culture that dwells in the South Sumatra region, created based on the spirit of the Komering community when holding a traditional wedding ceremony. Sada Sabai dance is one form of art that is used by many Komering people who are presented during the traditional wedding ceremony. The problem raised in this study aims to analyze the characteristics of the Sada Sabai dance that developed in the Komering culture. The method used is a qualitative method with a case study research design. Data collection techniques include observation, interview and document study. The results showed that Sada Sabai dance was a symbol of the harmony between the bride and groom family, so that in the past Sada Sabai dance was only danced by married families. This phenomenon was clearly seen when the groom's family and the bride danced on the stage how the two of them looked very close to each other. Then, the movement in Sada Sabai dance emphasized improvisation and exploration as its main approach and the main characteristic lied in the middle fingers of the dancers.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"9 1","pages":"19-27"},"PeriodicalIF":0.0,"publicationDate":"2020-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49506725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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