Festivals in the COVID Age of Crisis

IF 0.3 2区 艺术学 0 THEATER CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2117804
R. Ali, Christopher Balme
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引用次数: 0

Abstract

Abstract This article examines the impact of COVID on festivals and the future of the industry. Analysing more than 50 items of online news, scholarly reviews and reports, and governmental guidance, this article examines the immediate effects of COVID in the industry as a whole, and particularly on its precarious artists and workforce. It also explores the changing behavioural attitudes towards festivals. Importantly, the article looks at the long-term institutional changes that might emerge in the festival industry including the future of collaborative working, artistic support, precarious working, and diversity.
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新冠肺炎危机时代的节日
摘要本文探讨了新冠肺炎对节日和行业未来的影响。本文分析了50多条在线新闻、学术评论和报道以及政府指导,探讨了新冠肺炎对整个行业的直接影响,尤其是对其岌岌可危的艺术家和员工的影响。它还探讨了人们对节日行为态度的变化。重要的是,这篇文章着眼于节日行业可能出现的长期制度变革,包括合作工作、艺术支持、不稳定的工作和多样性的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
21
期刊介绍: Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.
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