Cross-Dressing and Technologies of Desire and Revenge in Ana Caro, Valor, agravio y mujer with a Glance at Twelfth Night

Q3 Arts and Humanities Renaissance Drama Pub Date : 2022-09-01 DOI:10.1086/723006
S. Wofford
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Abstract

aissance Drama, volume 50, number 2, fall 2022. 022 Northwestern University. All rights reserved. Published by The University of Chicago Press. s://doi.org/10.1086/723006 1. In this essay, I refer to the English translation ofValor, agravio ymujer by Barbara Fuchs and the ersifying the Classics project at UCLA; see http://diversifyingtheclassics.humanities.ucla.edu r-translations/the-courage-to-right/; and http://diversifyingtheclassics.humanities.ucla.edu/wp ntent/uploads/2020/08/The-Courage-to-Right-a-Womans-Wrongs-8–26-for-website.pdf. English
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《阿娜·卡罗》、《英勇》、《第十二夜》中的变装与欲望与复仇技术
aissance戏剧,第50卷,第2期,2022年秋季。022西北大学。保留所有权利。芝加哥大学出版社出版。s: //doi.org/10.1086/723006 1。在这篇文章中,我参考了Barbara Fuchs对Valor,agravio ymujer的英译以及加州大学洛杉矶分校的经典化项目;看见http://diversifyingtheclassics.humanities.ucla.edur翻译/纠正错误的勇气/;和http://diversifyingtheclassics.humanities.ucla.edu/wpcontent/uploads/2020/08/The-Courage-to-Right-a-Wwomans-Rongs-8-26-for-website.pdf。英文
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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发文量
8
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