Tarek Pukat Dance Aceh : the Form of Expression of Aceh Coastal Area Society Life

F. Fitriani, H. Hartono, T. Triyanto
{"title":"Tarek Pukat Dance Aceh : the Form of Expression of Aceh Coastal Area Society Life","authors":"F. Fitriani, H. Hartono, T. Triyanto","doi":"10.15294/CATHARSIS.V7I2.23610","DOIUrl":null,"url":null,"abstract":"Tarek pukat  dance was created by Yuslizar in 1958. At the beginning, this dance is created to enliven the spirit of Aceh society in the  Aceh youth congress that must be proud of Aceh’s land fertility. Tarek pukat dance is inherited through a learning process in Cut Nyak Dhien dance studio. This dance tells about how Aceh society life in the coastal area. Tarek pukat dance is usually performed by 5-9 female dancers, and 4 or 5 male dancers.  Based on the information above, the purpose of this research was to observe the expression of Aceh coastal area society as a learning medium of Tarek Pukat dance. The method used in this research was qualitative. The research was located in Cut Nyak Dhien dance studio in Banda Aceh Anjong Mon Mata, in Banda Aceh Regency area. The data collection technique used was observation, interview, and document study. The data validity technique was source triangulation. The data analysis technique used was analysis descriptive. The results that Tarek Pukat dance through movements and properties, such as, peuget pukat, tarek pukat,kayoeh,ikat taloe,pasoe engkot lam raga, puwoe engkot as  the expression of  Aceh coastal area society. Based on the above matters, it can be said that Tarek Pukat dance builds a cooperative social character, optimistic, consistence, and loyality.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"179-188"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catharsis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15294/CATHARSIS.V7I2.23610","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Tarek pukat  dance was created by Yuslizar in 1958. At the beginning, this dance is created to enliven the spirit of Aceh society in the  Aceh youth congress that must be proud of Aceh’s land fertility. Tarek pukat dance is inherited through a learning process in Cut Nyak Dhien dance studio. This dance tells about how Aceh society life in the coastal area. Tarek pukat dance is usually performed by 5-9 female dancers, and 4 or 5 male dancers.  Based on the information above, the purpose of this research was to observe the expression of Aceh coastal area society as a learning medium of Tarek Pukat dance. The method used in this research was qualitative. The research was located in Cut Nyak Dhien dance studio in Banda Aceh Anjong Mon Mata, in Banda Aceh Regency area. The data collection technique used was observation, interview, and document study. The data validity technique was source triangulation. The data analysis technique used was analysis descriptive. The results that Tarek Pukat dance through movements and properties, such as, peuget pukat, tarek pukat,kayoeh,ikat taloe,pasoe engkot lam raga, puwoe engkot as  the expression of  Aceh coastal area society. Based on the above matters, it can be said that Tarek Pukat dance builds a cooperative social character, optimistic, consistence, and loyality.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
塔雷克·普卡特舞蹈亚齐:亚齐沿海地区社会生活的表现形式
大叻舞于1958年由Yuslizar创立。一开始,这个舞蹈是为了活跃亚齐青年大会上亚齐社会的精神,必须为亚齐的土地肥沃感到自豪。大叻舞是通过学习的过程传承下来的,在Cut Nyak Dhien舞蹈工作室学习。这个舞蹈讲述了亚齐沿海地区的社会生活。塔立普吉舞通常由5-9名女舞者和4 - 5名男舞者表演。基于以上信息,本研究的目的是观察亚齐沿海地区社会作为Tarek Pukat舞蹈学习媒介的表达。本研究采用定性方法。该研究在班达亚齐省Anjong Mon Mata省班达亚齐省Cut Nyak Dhien舞蹈室进行。资料收集采用观察法、访谈法和文献研究法。数据有效性技术为源三角剖分。使用的数据分析技术是描述性分析。结果表明,通过Tarek Pukat舞蹈的动作和性质,如peuget Pukat, Tarek Pukat,kayoeh,ikat taloe,pasoe engkot lam raga, puarek pukot作为亚齐沿海地区社会的表达。综上所述,大力克舞塑造了一种合作、乐观、一致、忠诚的社会性格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
3
审稿时长
24 weeks
期刊最新文献
Wayang Klitik: Form and Function in the Bersih Sendang Ceremony in Wonosoco Village An Implementation of Reflective Pedagogy in Hybrid Music Learning of Gamelan Soepra The Value of Creative Character of Guci Dance Through The Extracurricular Art of Dance The Wedding Music Industry: An Adaptation of Andy Irawan Music during the Covid-19 Pandemic The Cultural Messages of Pyramid House in Palembang
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1