Revealing the Earliest Animal Engravings in Scotland: The Dunchraigaig Deer, Kilmartin

IF 1.6 2区 历史学 0 ARCHAEOLOGY CAMBRIDGE ARCHAEOLOGICAL JOURNAL Pub Date : 2022-12-19 DOI:10.1017/S0959774322000312
Joana Valdez-Tullett, Tertia Barnett, Guillaume Robin, S. Jeffrey
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引用次数: 3

Abstract

The recent discovery of animal carvings in the Early Bronze Age burial cairn at Dunchraigaig (Kilmartin Glen, Scotland) prompts a re-evaluation of current knowledge of rock art in Britain. The deer and other quadrupeds represented in the monument are the first unambiguous depictions of prehistoric animals of prehistoric date in Scotland, and among the earliest identified in Britain and Ireland. This contrasts with the well-known abstract carvings of rock art in this region, characterized by cup-marks and cup-and-rings. The discovery also reinforces the special character of Kilmartin Glen as one of the most original and remarkable Neolithic–Bronze Age landscapes of monumentality and rock art in Britain. This article describes the process of authenticating the Dunchraigaig carvings as part of the Scotland's Rock Art Project (ScRAP) and discusses their implications for our understanding of prehistoric rock art in Scotland, Britain and Atlantic Europe more widely.
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揭示苏格兰最早的动物雕刻:基尔马丁的Dunchraigaig鹿
最近在Dunchraigaig(苏格兰基尔马丁格伦)青铜时代早期的埋葬石堆中发现了动物雕刻,这促使人们重新评估英国目前的岩石艺术知识。纪念碑中的鹿和其他四足动物是苏格兰第一批明确描绘史前动物的动物,也是英国和爱尔兰最早发现的动物之一。这与该地区著名的抽象岩石艺术雕刻形成了鲜明对比,这些雕刻以杯痕、杯环为特征。这一发现也强化了基尔马丁峡谷的特殊性,它是英国新石器时代-青铜时代最原始、最引人注目的遗迹和岩石艺术景观之一。本文描述了作为苏格兰岩石艺术项目(ScRAP)一部分的Dunchraigaig雕刻品的鉴定过程,并讨论了它们对我们更广泛地理解苏格兰、英国和欧洲大西洋史前岩石艺术的影响。
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来源期刊
CiteScore
3.30
自引率
8.30%
发文量
38
期刊介绍: The Cambridge Archaeological Journal is the leading journal for cognitive and symbolic archaeology. It provides a forum for innovative, descriptive and theoretical archaeological research, paying particular attention to the role and development of human intellectual abilities and symbolic beliefs and practices. Specific topics covered in recent issues include: the use of cultural neurophenomenology for the understanding of Maya religious belief, agency and the individual, new approaches to rock art and shamanism, the significance of prehistoric monuments, ritual behaviour on Pacific Islands, and body metamorphosis in prehistoric boulder artworks. In addition to major articles and shorter notes, the Cambridge Archaeological Journal includes review features on significant recent books.
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