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Sweeping Stone, Cleaning Country: Stone Artefact Mounding at Walanjiwurru 1 Rockshelter, Marra Country, Northern Australia 扫石,清洁国家:在Walanjiwurru 1 Rockshelter的石头人工制品堆积,马拉国家,北澳大利亚
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2026-02-11 DOI: 10.1017/s0959774325100346
Hugh Cowie, Jeremy Ash, John Bradley, Liam Brady, Daryl Wesley, Amanda Kearney, Shaun Evans, David Barrett
In this paper we demonstrate how a concentrated mound of 8622 stone artefacts excavated at Walanjiwurru 1 rockshelter in Marra Country, northern Australia, reflects the emotional and spiritual dimensions of sweeping, and moral obligations to maintain Country. While archaeological studies have previously documented sweeping as part of site formation, and the social significance of stone in Australia is well established, few studies have examined how these practices intersect with Indigenous understandings of maintaining Country. Through analysis of stone artefacts combined with Marra knowledge, we demonstrate how sweeping activities 2500–300 cal. bp created a unique expression of ongoing relationships between people, materials and Country, maintained through the practice of sweeping. The mound’s composition shows distinctive patterns in both size distribution and stone type representation, most notably in the concentration of yellow quartzite—a stone type with particular cultural power due to its ancestral connections. These findings contribute to broader discussions about the integration of Indigenous and archaeological knowledge systems, while demonstrating how stone artefacts and sweeping practices remain active participants in maintaining relationships between Country, people and ancestors.
在本文中,我们展示了在澳大利亚北部马拉国家的Walanjiwurru 1号岩石掩体中出土的8622件石质文物如何反映了清扫的情感和精神层面,以及维护国家的道德义务。虽然以前的考古研究已经记录了清扫是遗址形成的一部分,并且石头在澳大利亚的社会意义已经得到了很好的确立,但很少有研究调查这些做法如何与土著对维护国家的理解相交叉。通过对石器文物的分析,结合马拉人的知识,我们展示了2500-300 cal. bp的清扫活动如何创造了一种独特的表达方式,通过清扫的实践来维持人、物质和国家之间的持续关系。该丘的组成在大小分布和石型表现上都显示出独特的模式,最显著的是黄石英石的集中,这种石型由于其祖先的联系而具有特殊的文化力量。这些发现有助于更广泛地讨论土著和考古知识体系的整合,同时展示了石器制品和扫除习俗如何在维持国家、人民和祖先之间的关系方面发挥积极作用。
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引用次数: 0
Reevaluating Hand Stencil Phenomena in Cave Art: A Step Forward towards the Characterization of Symbolic Patterns during the Upper Palaeolithic in Europe 洞窟艺术中手印现象的再评价:向旧石器时代晚期欧洲符号图案表征迈进了一步
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2026-01-23 DOI: 10.1017/s0959774325100322
Verónica Fernández-Navarro, Olga Spaey, Diego Garate
Among the most recurring motifs in the prehistoric rock-art corpus, handprints stand out as one of the most significant elements due to their dual nature, both artistic and fossil. These markings represent a unique source of information for characterizing the corresponding artists and the social and cultural context of prehistoric communities. This study focuses on a comprehensive characterization of the phenomenon of Upper Palaeolithic hand representations from a multidimensional perspective, combining various theoretical and methodological approaches. By offering a holistic view, the aim is to contextualize these artistic expressions within a broader framework that includes biological, social, cultural, spatial and technological considerations. The study revisits classical documentation on hand representations and brings new perspectives through experiments and analyses conducted under conditions that replicate, as closely as possible, the physical and technological characteristics of the Upper Palaeolithic. These new perspectives broaden our understanding of these artistic expressions and their significance within prehistoric societies, shedding light on their potential role within rock art and their functional and symbolic meaning.
在史前岩石艺术作品中,手印作为最重要的元素之一脱颖而出,因为它具有艺术和化石的双重性质。这些标记代表了一个独特的信息来源,用于描述相应的艺术家和史前社区的社会和文化背景。本研究的重点是结合各种理论和方法,从多维角度全面表征旧石器时代晚期的手部表征现象。通过提供一个整体的观点,目的是将这些艺术表达置于一个更广泛的框架内,包括生物、社会、文化、空间和技术方面的考虑。这项研究重新审视了经典的手迹记录,并在尽可能接近旧石器时代晚期的物理和技术特征的条件下进行了实验和分析,带来了新的视角。这些新的观点拓宽了我们对这些艺术表达及其在史前社会中的意义的理解,揭示了它们在岩石艺术中的潜在作用及其功能和象征意义。
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引用次数: 0
The Archaeology of the ‘Elderly’, ‘Elders’, ‘Fathers’ and ‘Mothers’ in Iron Age Israel: Building 101 at Tel ʿEton as a Case-Study 铁器时代以色列“老人”、“长辈”、“父亲”和“母亲”的考古学:以伊顿公学101号建筑为例研究
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2026-01-07 DOI: 10.1017/s0959774325100267
Avraham Faust
Archaeology prides itself on its ability to see beyond the urban elite. The countryside, the urban poor, gender and even children have all gradually come under the discipline’s gaze. The elderly, however, have failed to attract much scholarly attention. The few groundbreaking studies that tackled the issue scrutinized mortuary data and examined the ‘body’ of the elderly, but hardly any archaeological attention was given to the social aspects of the daily life of the old. Using one of the most detailed archaeological case studies available, and with the aid of ancient texts and ethnography, this article seeks to identify the ‘elderly’ and ‘elders’ in Iron Age Israel and, using Building 101 at Tel ʿEton as a test case, it places the fathers and mothers and their activities within the household.
考古学以其超越城市精英的能力而自豪。农村、城市贫民、性别甚至儿童都逐渐受到这门学科的关注。然而,老年人并没有引起太多的学术关注。解决这一问题的为数不多的开创性研究仔细检查了太平间的数据,并检查了老年人的“身体”,但几乎没有考古学家关注老年人日常生活的社会方面。本文利用现有最详细的考古案例研究之一,借助古代文献和民族志,试图确定铁器时代以色列的“老年人”和“长者”,并以伊顿的101号楼为测试案例,将父亲和母亲及其活动置于家庭中。
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引用次数: 0
These Words Are My Own: Archaeological Theory in Dialect 这些话是我自己的:方言考古理论
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2026-01-07 DOI: 10.1017/s0959774325100243
Judith M. López Aceves, Brodhie M.I. Molloy, Jonathon Graham, Marianne Hem Eriksen, Eva Mol, Þóra Pétursdóttir, João Sequeira, Tânia Casimiro, Aldo Accinelli Obando, Matthew Johnson
English is the lingua franca not only for academia but also for almost all international infrastructures and global communications. It comes as no surprise, then, that the dominant and assumed normative voice in archaeology is standard British English (SBE) for narratives of various times and places. This language is ‘majoritarian’—by this we do not mean that it is spoken by most of humanity, but that it is the imposed ‘ideal’ others are measured against, and that is an issue. Categories, terms and ways of interpretation are all done from a privileged majoritarian position. These do not translate and are certainly not applicable in all the different places where archaeology takes place. This paper is the culmination of conversations that occurred during a Theoretical Archaeology Group conference session in 2023, with contributing authors having adapted their talks into a discussion format to keep the conversation on challenging language representation active within the discipline.
英语不仅是学术界的通用语,而且是几乎所有国际基础设施和全球通信的通用语。因此,毫不奇怪,考古学中占主导地位和假定的规范声音是标准英式英语(SBE),用于不同时间和地点的叙述。这种语言是“多数主义的”——我们这么说并不是说大多数人都说这种语言,而是说它是别人衡量的强加的“理想”,这是一个问题。类别、术语和解释方式都是从多数主义的特权立场出发的。这些不能翻译,当然也不能适用于所有不同的考古地点。本文是2023年理论考古小组会议期间发生的对话的高潮,贡献作者将他们的谈话改编为讨论形式,以保持在学科内具有挑战性的语言表现的对话活跃。
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引用次数: 0
Materializing a Gendered Colonial Worldview: Symbolic Permeability in Votive Offerings in the Roman Northwest 一种性别化的殖民世界观的物化:罗马西北部献祭的象征渗透
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2025-12-23 DOI: 10.1017/s0959774325100309
Alena Wigodner
In the Roman imperial worldview, masculine, civilized Rome saw a duty to control and care for uncivilized, feminine foreigners—a gendered power dynamic shared by more recent colonizing states as well. However, it is a methodological challenge to catch sight of the way such a worldview may have impacted colonial subjects. I examine the impact in Roman Britain and Gaul by applying a symbolic anthropological approach to a well-suited body of evidence, votive offerings: widely accessible and highly individual, each represents a single symbolic act. Taking up archaeological questions of material symbolism, I analyse the confluence of gender and offering material categories. Analysis of objects men and women offered at 10 sanctuaries in Britain and Gaul, and of the materials in which men and women were portrayed, reveals a permeability–impermeability binary: women are associated with breakable clay, porous bone and translucent glass, and men with strong, durable metal. This binary reflects Roman understandings of femininity and masculinity, shedding light on the fraught relationship between colonial rule and gendered understandings of the world.
在罗马帝国的世界观中,阳刚、文明的罗马认为有责任控制和照顾未开化、阴柔的外国人——这是一种性别权力动态,最近的殖民国家也有这种动力。然而,这是一个方法论上的挑战,以了解这种世界观可能影响殖民地臣民的方式。我考察了罗马时期不列颠和高卢的影响,将象征性人类学的方法应用于一个非常适合的证据体,即献祭:广泛可及且高度个性化,每一个都代表一个象征性的行为。从物质象征主义的考古学问题出发,分析了性别与物质范畴的融合。对英国和高卢10个圣殿供奉的男性和女性物品,以及描绘男性和女性的材料的分析,揭示了一种渗透性和不渗透性的二元对立:女性与易碎的粘土、多孔的骨头和半透明的玻璃有关,而男性则与坚固耐用的金属有关。这种二元性反映了罗马人对女性气质和男性气质的理解,揭示了殖民统治与对世界的性别理解之间令人担忧的关系。
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引用次数: 0
Traces of Clay: Exploring Slave and Migrant Identities in Medieval Swahili Zanzibar 粘土的痕迹:探索中世纪斯瓦希里桑给巴尔的奴隶和移民身份
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2025-12-22 DOI: 10.1017/s0959774325100292
Henriette Rødland
The East African coast has long been recognized as a cosmopolitan region, where different cultures and peoples met and exchanged ideas, goods and knowledge. The culture that developed there from the seventh century ce was shaped by these relations, often referred to under the term Swahili, and many of the coastal residents engaged in Islamic practice, long-distance trade, conspicuous consumption of valued goods, and spoke a common language. This paper investigates the presence of slaves and migrants from the East African interior, through pottery assemblages uncovered at two eleventh- to fifteenth-century ce sites in northern Zanzibar: Tumbatu and Mkokotoni. These are groups of people not usually discussed in relation to medieval Swahili towns, and slavery has been especially difficult to study archaeologically on the coast. Through a material culture of difference, I argue that enslaved and non-elite migrants can be recognized and allow for a fuller understanding of socio-economic and cultural complexity in Swahili towns.
长期以来,东非海岸一直被认为是一个国际化的地区,不同的文化和民族在这里相遇,交流思想、商品和知识。从公元7世纪开始,在那里发展起来的文化是由这些关系形成的,通常被称为斯瓦希里人,许多沿海居民从事伊斯兰教实践,长途贸易,炫耀性消费贵重物品,并说一种共同的语言。本文通过在桑给巴尔北部的两个11至15世纪的遗址(Tumbatu和Mkokotoni)发现的陶器组合,调查了来自东非内陆的奴隶和移民的存在。这些人通常不会与中世纪的斯瓦希里城镇联系起来讨论,在沿海地区对奴隶制进行考古研究尤其困难。我认为,通过物质文化的差异,被奴役的和非精英移民可以得到承认,并允许对斯瓦希里城镇的社会经济和文化复杂性有更全面的了解。
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引用次数: 0
‘There are no two similar kinds of reindeer. You have to be with the reindeer to learn.’ The Variety of Life among Ancient Sámi Reindeer Herders “没有两种相同的驯鹿。你必须和驯鹿在一起才能学会。古代驯鹿牧民的生命多样性Sámi
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2025-12-22 DOI: 10.1017/s0959774325100280
Anna-Kaisa Salmi
In the Sámi worldview, reindeer herders perceive the herd as a social unit consisting of individuals who vary in characteristics and social roles. Age, sex, physical appearance, personality and other social roles are acknowledged and recognized by the herders, who maintain their relationships with animals in different ways within herding tasks. Archaeological data, too, show that ancient reindeer herders were in contact with different kinds of reindeer, including wild reindeer, working reindeer and ‘ordinary’ herd reindeer. This paper uses zooarchaeological and ethnoarchaeological perspectives to examine the variety of life on the hoof at two fourteenth- to seventeenth-century Sámi sites in northern Finland. Archaeological data and zooarchaeological analyses will be used to assess hunting and herding practices as well as the characteristics of herd structure. Ultimately, the aim of this paper is to examine critically and characterize the variety of the relations prevailing between reindeer and ancient Sámi herders, thus contributing both to the study of culturally specific ontologies and the analytical possibilities of archaeological research to understand such ontologies.
在Sámi的世界观中,驯鹿牧人认为鹿群是一个社会单位,由不同特征和社会角色的个体组成。年龄、性别、外貌、性格和其他社会角色得到了牧民的承认和认可,牧民在放牧任务中以不同的方式维持与动物的关系。考古数据也表明,古代驯鹿牧民接触过不同种类的驯鹿,包括野生驯鹿、工作驯鹿和“普通”驯鹿。本文使用动物考古学和民族考古学的观点来研究芬兰北部两个14至17世纪Sámi遗址的蹄上生活的多样性。考古数据和动物考古分析将用于评估狩猎和放牧行为以及畜群结构的特征。最终,本文的目的是批判性地审视和描述驯鹿与古代Sámi牧民之间普遍存在的各种关系,从而为文化特定本体的研究和考古学研究的分析可能性做出贡献,以理解这些本体。
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引用次数: 0
Memory Work in Mud, Stone and Wood: Material Knowledges in Turbulent Times in Southern Africa 记忆工作在泥,石头和木头:物质知识在动荡的时代在南部非洲
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2025-12-17 DOI: 10.1017/s0959774325100334
Per Ditlef Fredriksen, Foreman Bandama
What happens to material knowledges and practices in the aftermath of involuntary uproot and relocation? How do displaced newcomers weave their lifeworlds, knowledges and practices into a novel context in the early stages after arrival? Anchored in a contemporary prism case in Zimbabwe, this archaeological study employs a temporally layered approach to displaced communities in southern Africa experiencing intense mobility in a dense political landscape with one or more dominant political entities. Extending the temporal scope and analytical relevance back to at least the early nineteenth century ce , our primary aim is to understand craftspeople’s practical problem-solving when coping with loss and absence while seeking to re-weave their social webs. The case examples share a common focus on earth materials (mud, soil, clay), stone and wood—easily available, low-cost or cost-free materials frequently used by displaced and refugee communities. Key analytical concepts are epistemic encounters, social memory, resistance and Achille Mbembe’s necropolitics . The approach seeks to merge two domains that are rarely combined: craftspeople’s engagements with their socio-ecological landscapes and the relevance of ancestral commemoration.
在非自愿背井离乡和重新安置之后,物质知识和实践会发生什么变化?流离失所的新移民在抵达后的早期阶段如何将他们的生活世界、知识和实践融入到一个新的环境中?本考古研究以津巴布韦当代棱镜案例为基础,采用了一种时间分层的方法来研究非洲南部流离失所的社区,这些社区在一个或多个占主导地位的政治实体密集的政治景观中经历了强烈的流动性。将时间范围和分析相关性至少追溯到19世纪早期,我们的主要目标是了解手工艺者在寻求重新编织他们的社会网络时,在应对损失和缺席时如何实际解决问题。这些案例的共同重点是土质材料(泥浆、土壤、粘土)、石头和木材,这些材料容易获得,是流离失所者和难民社区经常使用的低成本或免费材料。关键的分析概念是认知遭遇、社会记忆、抵抗和阿基利·姆本贝的死亡政治。该方法试图融合两个很少结合的领域:手工艺者与他们的社会生态景观的接触以及祖先纪念的相关性。
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引用次数: 0
Farewell to Behavioural Modernity? Homo sapiens in the Middle Stone Age 告别行为现代性?石器时代中期的智人
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2025-12-12 DOI: 10.1017/s0959774325100255
Kim Sterelny, Peter Dixon Hiscock
An enduring challenge for the human evolutionary sciences is to integrate the palaeoanthropological record of human evolution and speciation with the archaeological record of change and differentiation in hominin lifeways. The simplest hypothesis, and therefore an attractive hypothesis, is that change is made possible by, and reflects, evolutionary change in the capacity of individual humans. The very long-term trend of increasing diversity and sophistication of technical and social lifeways (albeit with noise and periods of stasis) reflects long-term trends of increasing cognitive capacity linked to bipedality, followed by body size increase, encephalization and slow life history. We suggest instead that the long-term trend sees a gradual decoupling of human lifeways from the intrinsic capacities of individual people. We develop this view through an analysis of the Middle Stone Age and behavioural modernity, arguing that these depend on mosaics of social and individual factors, none clearly connected to specific evolved changes in individual humans.
人类进化科学面临的一个长期挑战是将人类进化和物种形成的古人类学记录与古人类生活方式变化和分化的考古记录结合起来。最简单的假设,因此也是一个吸引人的假设是,变化是由人类个体能力的进化变化而产生的,并反映了这种变化。技术和社会生活方式的多样性和复杂性不断增加的长期趋势(尽管有噪音和停滞期)反映了与两足行走相关的认知能力不断增强的长期趋势,随后是体型增加、脑化和慢生活史。相反,我们认为,长期趋势是人类的生活方式与个人的内在能力逐渐脱钩。我们通过对中石器时代和行为现代性的分析发展了这一观点,认为这些依赖于社会和个人因素的马赛克,没有一个与人类个体的特定进化变化有明确的联系。
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引用次数: 0
The Artistic Nature of the Chinchorro Mummies and the Archaeology of Grief 钦克罗木乃伊的艺术性质与悲伤考古学
IF 1.2 2区 历史学 0 ARCHAEOLOGY Pub Date : 2025-11-27 DOI: 10.1017/s095977432510022x
Bernardo Arriaza
This study offers a review of the artistic dimension of the Chinchorro culture, a complex hunter-gatherer society along the coast of the Atacama Desert that, around 7000 years ago, created elaborate representations of the dead. It provides archaeological background and investigates the possible reasons for the development of artificial mummification. Drawing on the art therapy model and the concepts of art and grief, the analysis interprets Chinchorro mortuary rituals as expressions of emotional and social processes. This study argues that these anthropogenically prepared mummies represent artistic expressions that reflect the intentional decision-making and emotional awareness of these ancient communities, serving as a means to process grief. Furthermore, the paper highlights the multifaceted nature of Chinchorro society, including the mining and use of pigments such as manganese—materials that, while symbolically meaningful, posed serious health risks and may have contributed to the eventual decline of their elaborate funerary practices. Finally, the study underscores the enduring cultural significance of the Chinchorro, particularly in shaping contemporary identity of Arica region, where artistic portrayal of dead links ancient and modern narratives of cultural heritage.
这项研究为Chinchorro文化的艺术维度提供了一个回顾,Chinchorro文化是一个复杂的狩猎采集社会,位于阿塔卡马沙漠沿岸,大约7000年前,他们创造了精美的死者形象。它提供了考古背景,并调查了人工木乃伊发展的可能原因。利用艺术治疗模式和艺术与悲伤的概念,分析将钦克罗人的丧葬仪式解释为情感和社会过程的表达。本研究认为,这些人为准备的木乃伊代表了艺术表达,反映了这些古老社区的有意决策和情感意识,是处理悲伤的一种手段。此外,该论文还强调了钦克洛社会的多面性,包括采矿和使用锰等颜料——这些材料虽然具有象征意义,但却构成了严重的健康风险,并可能导致了他们精心设计的葬礼习俗的最终衰落。最后,该研究强调了钦克罗人持久的文化意义,特别是在塑造非洲地区的当代身份方面,对死者的艺术描绘将古代和现代文化遗产的叙述联系在一起。
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引用次数: 0
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