The Making of Modern Art through Commercial Art Galleries in 1930s London: The London Gallery (1936 to 1950)

Q2 Arts and Humanities Visual Culture in Britain Pub Date : 2020-05-03 DOI:10.1080/14714787.2020.1738265
Jutta Vinzent
{"title":"The Making of Modern Art through Commercial Art Galleries in 1930s London: The London Gallery (1936 to 1950)","authors":"Jutta Vinzent","doi":"10.1080/14714787.2020.1738265","DOIUrl":null,"url":null,"abstract":"This article explores the London Gallery as a disseminator of modern art. So far, the London Gallery has been considered as a gallery for surrealism only, as its longest-serving director, E.L.T. Mesens, promoted surrealism all his life (1903–1971). By considering particularly its early exhibition history and activities in the 1930s, this article will show first that the London Gallery supported any avant-garde art contemporary to its showing, and second that commercial art galleries were the driving force behind the dissemination of modern art in London, using a number of marketing strategies that also included a claim to education.","PeriodicalId":35078,"journal":{"name":"Visual Culture in Britain","volume":"21 1","pages":"145 - 176"},"PeriodicalIF":0.0000,"publicationDate":"2020-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14714787.2020.1738265","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Culture in Britain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14714787.2020.1738265","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1

Abstract

This article explores the London Gallery as a disseminator of modern art. So far, the London Gallery has been considered as a gallery for surrealism only, as its longest-serving director, E.L.T. Mesens, promoted surrealism all his life (1903–1971). By considering particularly its early exhibition history and activities in the 1930s, this article will show first that the London Gallery supported any avant-garde art contemporary to its showing, and second that commercial art galleries were the driving force behind the dissemination of modern art in London, using a number of marketing strategies that also included a claim to education.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
20世纪30年代伦敦商业画廊中的现代艺术创作:伦敦画廊(1936 - 1950)
本文探讨了作为现代艺术传播者的伦敦画廊。到目前为止,伦敦画廊一直被认为只是一个超现实主义的画廊,因为它任职时间最长的馆长E.L.T. Mesens一生都在推广超现实主义(1903-1971)。通过特别考虑它在20世纪30年代的早期展览历史和活动,本文将首先表明伦敦画廊支持任何前卫艺术当代展览,其次,商业艺术画廊是伦敦现代艺术传播背后的驱动力,使用了许多营销策略,其中也包括对教育的要求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Visual Culture in Britain
Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
1
期刊最新文献
John Carter FSA (1748–1817): A New Corpus of Drawings, and the Painted Chamber ‘Welcome to the North’: Public Art, Place-Marketing and the Northern Imaginary ‘Something useful in a National sense’: Percy Hennell’s Surgical and Nationalist Colour Photography, 1940–1948 Contesting Women’s Right to Vote: Anti-Suffrage Postcards in Edwardian Britain ‘Seeing-as’: The Modality of Looking in Bacon’s Portraiture
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1