Engaged Ephemeral Art: Street Art and the Egyptian Arab Spring

IF 0.1 Q4 HISTORY Transcultural Studies Pub Date : 2017-04-07 DOI:10.17885/HEIUP.TS.2016.2.23590
S. Naguib
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引用次数: 8

Abstract

The wave of uprisings known as the Arab Spring that swept over the Middle East and North Africa from December 2010 to early 2013 left its imprint on political and social life in the countries concerned. This ephemeral moment also marked a change in various forms of artistic expression. Street art, graffiti, and calligraffiti are among the most striking art forms of this short period. Artists recorded and commented on events and developments in the political situation. They drew upon their people’s cultural memory to impart their messages and expressed dissension, civil disobedience, and resistance by combining images and scripts. This article is about the materiality of visual art and the translation of political contestation into street art, graffiti, and calligraffiti in Egypt. It probes the ways slogans were visualised, drawn, and inscribed on the walls of the urban space in Cairo and then disseminated on the internet and social media. Translation relates here to transcultural contacts and the interplay between texts, images, and contexts from the vantage point of intermediality.
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参与短暂艺术:街头艺术与埃及阿拉伯之春
2010年12月至2013年初席卷中东和北非的“阿拉伯之春”(Arab Spring)起义浪潮在相关国家的政治和社会生活中留下了印记。这个短暂的时刻也标志着各种艺术表现形式的变化。街头艺术、涂鸦和书法是这一短暂时期最引人注目的艺术形式。艺术家们记录和评论政治局势中的事件和发展。他们利用人民的文化记忆来传递他们的信息,通过图像和文字的结合来表达分歧、公民不服从和抵抗。这篇文章是关于视觉艺术的物质性,以及政治争论在埃及街头艺术、涂鸦和书法的翻译。它探索了标语被可视化、绘制和刻在开罗城市空间墙壁上的方式,然后在互联网和社交媒体上传播。翻译在这里涉及到跨文化的接触,以及文本、图像和语境之间的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
30 weeks
期刊介绍: The Journal of Transcultural Studies is a peer-reviewed, open-access journal committed to promoting the knowledge and research of transculturality in all disciplines. It is published by the Cluster of Excellence “Asia and Europe in a Global Context: The Dynamics of Transculturality” of the Ruprecht-Karls-Universität Heidelberg.
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