Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione

Abstract

The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.