Brief reflection of the graphic industry in a cultural historical perspective

IF 0.4 Q4 INFORMATION SCIENCE & LIBRARY SCIENCE AtoZ-Novas Praticas em Informacao e Conhecimento Pub Date : 2023-04-27 DOI:10.5380/atoz.v12i0.86547
José Vanderley Gouveia, Andréa Pereira Santos
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Abstract

Introduction: The cultural history of the Graphic Industry and Typography is a motivating theme for this paper. In this sense, the characterization of workers of typographic workshops, in Europe, is presented in a clipping, from the perspective of Cultural History and Archeology of Industrialization added to Cultural Studies in certain aspects. Method: selective bibliographic research for the purposes is adopted, gathering books, printed articles and various electronic texts. Results: we have content that allows us to visualize the craft and culture of typographers over time, the adjustments to the industrial development of the sector, as well as issues that lead to concerns about the preservation of the socio-historical memory of this professional activity. Conclusion: The creative strategies of survival or resistance in the graphic medium include the search for formal clarification, and this 'common citizen' intellectual and practical subject of the History and Memory of the Graphic Industry must be carefully observed.
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从文化历史的角度对图形产业的简要反思
简介:文化历史的图形工业和排版是一个激励主题的论文。在这个意义上,从文化史和工业化考古学的角度,在文化研究的某些方面,以剪报的形式呈现了欧洲印刷车间工人的特征。方法:采用选择性书目研究,收集书籍、印刷品和各种电子文本。结果:我们的内容使我们能够可视化印刷工人的工艺和文化随着时间的推移,对该部门工业发展的调整,以及导致对这一专业活动的社会历史记忆保存的关注的问题。结论:在平面媒体中生存或抵抗的创造性策略包括对形式澄清的寻求,并且必须仔细观察这个“普通公民”的知识和实践主题平面工业的历史和记忆。
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来源期刊
AtoZ-Novas Praticas em Informacao e Conhecimento
AtoZ-Novas Praticas em Informacao e Conhecimento INFORMATION SCIENCE & LIBRARY SCIENCE-
CiteScore
0.40
自引率
33.30%
发文量
21
审稿时长
28 weeks
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