Early Twentieth-Century Vogue, George Wolfe Plank and The Freaks of Mayfair

Q2 Arts and Humanities Visual Culture in Britain Pub Date : 2017-01-02 DOI:10.1080/14714787.2017.1317017
D. Janes
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引用次数: 2

Abstract

Vogue was one of the most influential fashion magazines of the twentieth century. In the 1920s its British edition, launched in 1916, became a focus for various forms of queer visual and cultural expression. The origins of the related ‘amusing style’, which delighted in camp display, can be traced to the romantic and artistic collaboration between the American artist George Wolfe Plank and the British writer E.F. Benson during the First World War. The illustrations that Plank produced for Benson’s book of satirical sketches of life in London’s high society, The Freaks of Mayfair (1916), shed light on the camp images that Plank designed for the covers of both the American and British editions of the magazine. Therefore, Plank can be understood to have played a key role in the development of queer visual culture during the early twentieth century.
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二十世纪早期的《时尚》,乔治·沃尔夫·普兰克和《梅菲尔的怪胎》
《Vogue》是二十世纪最具影响力的时尚杂志之一。在20世纪20年代,1916年推出的英国版成为各种形式的酷儿视觉和文化表达的焦点。这种以露营展示为乐的“有趣风格”的起源可以追溯到第一次世界大战期间美国艺术家乔治·沃尔夫·普兰克和英国作家E.F.本森之间的浪漫和艺术合作。普兰克为本森的讽刺伦敦上流社会生活的书《梅菲尔怪胎》(1916年)绘制的插图,揭示了普兰克为该杂志美国版和英国版封面设计的营地形象。因此,普朗克可以理解为在二十世纪初酷儿视觉文化的发展中发挥了关键作用。
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来源期刊
Visual Culture in Britain
Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
1
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