London’s Fashion Alphabet

IF 0.5 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY TEXTILE HISTORY Pub Date : 2021-07-03 DOI:10.1080/00404969.2021.2037916
R. Neal
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引用次数: 0

Abstract

sonal style. At an average of forty-five minutes focusing on one interview subject, Cvetkovic is able to plumb the depths of their personal experience in dressing: all three subjects cite their fathers as catalysts for early interests in clothing. The conversational and unscripted edit of these discussions allows the telling parts of oral testimony, the pauses and the exclamations, to speak volumes. The pleasure or distaste the interviewees feel for certain garments, the excitement about the discovery of a new inspiration is captured in the tenor and content of their telling. Episodes ‘#32 Scott Fraser Simpson’ and ‘#33 Andr e Larnyoh’ spend time examining the cultural touchpoints they consider stylish (examples include Miles Davis, Jean-Michel Basquiat, the Mod scene in Brighton and Anthony Minghella’s 1999 film The Talented Mr Ripley). In ‘#39 Fred Nieddu’, the subject’s varied prior experience, working in multi-brand retail shops and apprenticing in different tailoring houses, coheres in his current practice where he insists on an open mind toward construction techniques, drawing from outside the traditional British methods of Savile Row. The strength of both podcasts ultimately lies in using oral testimony to highlight how the individual, personal experience of dress can speak to larger societal constructs. Articles of Interest episode ‘#10 Suits’ begins and ends with Rae Tuturo of custom suit maker Bindle & Keep discussing the sense of self they found in suiting and how they parlayed that into a business that aimed to dress any gender. Episode ‘#3 Pockets’ questions what tools might be necessary for us to carry if we lived in a more equitable society — would housekeys matter if there were no fear of theft driving us to lock our doors? In episode #33 of Handcut Radio, Cvetkovic posits that style inspiration should not be drawn just from the dress habits of an individual, but also their wider ethics and behaviour. Toward the end of that same interview, Larnyoh poses an open question to the audience, formed from his own experience feeling isolated in the world of tailoring and luxury: why are black designers and style personalities not included at the forefront of ‘menswear’? While taking different approaches, Articles of Interest as a narrative journey through concepts of dress and Handcut Radio as the musings and autobiographies of dressed individuals, both podcasts provide profound insights into the experience and meaning of being dressed.
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伦敦的时尚字母表
个性风格。Cvetkovic平均花45分钟专注于一个采访主题,能够深入了解他们个人的穿着体验:三位受试者都认为他们的父亲是早期对服装感兴趣的催化剂。对这些讨论的对话式和无脚本编辑使口头证词的讲述部分、停顿和感叹得以充分表达。受访者对某些服装的愉悦或厌恶,以及对发现新灵感的兴奋,都体现在他们讲述的基调和内容中。第32集《斯科特·弗雷泽·辛普森》和第33集《安德雷·拉尼欧》花时间研究他们认为时尚的文化接触点(例如迈尔斯·戴维斯、让-米歇尔·巴斯奎特、布莱顿的国防部场景和安东尼·明格拉1999年的电影《天才雷普利先生》)。在《#39 Fred Nieddu》中,受试者之前在多品牌零售店工作和在不同裁缝店当学徒的各种经历,与他目前的实践相一致,他坚持对建筑技术持开放态度,借鉴了萨维尔街传统的英国方法。这两个播客的优势最终在于使用口头证词来强调个人的个人着装体验如何与更大的社会结构对话。《感兴趣的文章》第10集《西装》以定制西装制造商Bindle&Keep的Rae Tuturo开始和结束,讨论他们在西装中发现的自我意识,以及他们如何利用这种自我意识来打造一家旨在为任何性别着装的企业。第三集《口袋》提出了一个问题,如果我们生活在一个更加公平的社会中,我们可能需要携带什么工具——如果不担心被盗会驱使我们锁门,钥匙会重要吗?在Handcut Radio的第33集中,Cvetkovic认为,风格灵感不应该仅仅来自个人的穿着习惯,还应该来自他们更广泛的道德和行为。在同一次采访即将结束时,Larnyoh向观众提出了一个悬而未决的问题,这个问题是他自己在剪裁和奢华世界中感到孤立的经历形成的:为什么黑人设计师和时尚人士没有被纳入“男装”的前沿?虽然采用了不同的方法,《感兴趣的文章》是一个通过着装概念的叙事之旅,《Handcut Radio》是穿着者的沉思和自传,但这两个播客都对穿着的体验和意义提供了深刻的见解。
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来源期刊
TEXTILE HISTORY
TEXTILE HISTORY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
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期刊介绍: Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing.
期刊最新文献
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