Construction and collaboration in life-writing projects: Malala Yousafzai’s activist ‘I’

Q2 Arts and Humanities Journal of Writing in Creative Practice Pub Date : 2019-04-01 DOI:10.1386/JWCP.12.1-2.201_1
A. M. Martínez García
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引用次数: 12

Abstract

This article explores the storytelling practices employed in Malala Yousafzai’s life-writing texts as examples of collaboration in the co-construction of an activist agenda. It tracks the narrative ‘I’ and its movements in and out of the plural pronoun ‘we’ as it moves across communities and embraces the legacy of testimonial accounts by both former and contemporary human rights activists. In line with that tradition, it is necessary to include the stories of other victimized people in the life-writing text, so that the result advocates for change on a sociopolitical, not just individual, level. The fact that the texts are mediated by editors, translators, co-authors and collaborators every step of the way paves the collaborative path Global South young women activists traverse, a path fraught with potential pitfalls and ethical difficulties for them and for scholars alike.
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生活写作项目的构建与合作:马拉拉·尤萨夫扎伊的活动家“我”
本文探讨了马拉拉·优素福扎伊(Malala Yousafzai)的生平写作文本中采用的讲故事方法,作为共同构建活动家议程的合作范例。它追踪了叙事“我”及其在复数代词“我们”中进出的运动,因为它跨越了社区,并包含了前任和当代人权活动家的证词记录。根据这一传统,有必要在生活写作文本中包括其他受害者的故事,以便结果倡导社会政治上的改变,而不仅仅是个人层面的改变。文本的每一步都是由编辑、译者、合著者和合作者调解的,这为全球南方年轻女性活动家所走过的合作之路铺平了道路,这条道路对她们和学者来说都充满了潜在的陷阱和伦理困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
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0.00%
发文量
8
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