Missing Keystones: Echoes of Empire in Kobayashi Masaru’s “Bridge Building”

N. Lambrecht
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Abstract

Postwar writings by and about Japanese repatriates often serve to illustrate the incomplete nature of Japanese decolonization. While the process of repatriation physically removed Japanese colonists from the former empire, it also deferred the necessary process of coming to terms with Japan’s imperial past. This article examines how unresolved memories of empire reemerge in the postwar writings of Kobayashi Masaru (1927–1971), a Japanese author who was born and raised in colonial Korea. Through an analysis of Kobayashi’s Akutagawa Prize-nominated short story “Bridge Building” (“Kakyō,” 1960), set in Japan during the Korean War, it shows that although Kobayashi depicts Japanese and Korean characters who are united by a common goal and their past experiences of imperial violence, the gap between them remains insurmountable. The article contends that Kobayashi’s work represents an attempt to counteract romanticized repatriation narratives that had been coopted for new nationalist ends at the beginning of the Cold War.
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缺失的基石:小林正如“桥梁建筑”中的帝国回声
战后由日本遣返者撰写的和关于这些遣返者的文章,常常用来说明日本非殖民化的不完整本质。虽然遣返过程实际上将日本殖民者赶出了前帝国,但它也推迟了与日本帝国历史达成协议的必要进程。这篇文章探讨了在殖民时期的韩国出生和长大的日本作家小林正丸(1927-1971)战后的作品中如何重新出现未解决的帝国记忆。通过分析小林以6•25战争时期的日本为背景、获得芥川奖提名的短篇小说《架桥》(1960),可以看出,虽然小林描写了因共同的目标和过去的帝国暴力经历而团结在一起的日本人和韩国人,但他们之间的鸿沟仍然无法逾越。这篇文章认为,小林的作品代表了一种抵制浪漫化的遣返叙事的尝试,这种叙事在冷战开始时被用于新的民族主义目的。
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0.50
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18
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