{"title":"Shana Redmond. Everything Man: The Form and Function of Paul Robeson.","authors":"Malik Gaines","doi":"10.3138/md.64.4.br7","DOIUrl":null,"url":null,"abstract":"Shana Redmond tracks the ways Paul Robeson’s presence has travelled via recordings and other forms of capture. The author builds on Robeson’s diverse output to construct an interdisciplinary method, enabling a formal analysis of a range of materials and underscoring the interplay between modes of representation and Black life.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md.64.4.br7","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
Shana Redmond tracks the ways Paul Robeson’s presence has travelled via recordings and other forms of capture. The author builds on Robeson’s diverse output to construct an interdisciplinary method, enabling a formal analysis of a range of materials and underscoring the interplay between modes of representation and Black life.