{"title":"Indenturing Celebrity: Governing China’s Entertainment Industries","authors":"E. Jeffreys, Jian Xu","doi":"10.1177/00977004221133533","DOIUrl":null,"url":null,"abstract":"This article examines the governance of China’s entertainment industries using the concept of “indentured celebrities”—famous people who are obliged to serve as ambassadors for Chinese government advertising and public diplomacy. The article introduces the idea of indentured celebrities in relation to Western sociological understandings of major celebrities as “national power elites,” “powerless elites,” and cosmopolitan “Big Citizens” who use their mediatized star power to exert unelected, “stateless” political influence. It then examines the expansion since the mid-2000s of regulatory controls over China’s entertainment industries. Finally, it explores the “Fan Bingbing tax evasion case,” revealing how online public censure, and the associated potential for government action, can coalesce to discipline celebrity behaviors. We conclude that regulatory frameworks and, to a lesser degree, “supervision by public opinion,” indenture major celebrities to aid the ruling Chinese Communist Party, while undermining any scope to exert nongovernmental political influence as per Western celebrities.","PeriodicalId":47030,"journal":{"name":"Modern China","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modern China","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/00977004221133533","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
This article examines the governance of China’s entertainment industries using the concept of “indentured celebrities”—famous people who are obliged to serve as ambassadors for Chinese government advertising and public diplomacy. The article introduces the idea of indentured celebrities in relation to Western sociological understandings of major celebrities as “national power elites,” “powerless elites,” and cosmopolitan “Big Citizens” who use their mediatized star power to exert unelected, “stateless” political influence. It then examines the expansion since the mid-2000s of regulatory controls over China’s entertainment industries. Finally, it explores the “Fan Bingbing tax evasion case,” revealing how online public censure, and the associated potential for government action, can coalesce to discipline celebrity behaviors. We conclude that regulatory frameworks and, to a lesser degree, “supervision by public opinion,” indenture major celebrities to aid the ruling Chinese Communist Party, while undermining any scope to exert nongovernmental political influence as per Western celebrities.
期刊介绍:
Published for over thirty years, Modern China has been an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. Modern China presents scholarship based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions. Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.