Renesansowy poemat "Sarca" jako "aemulatio" z autorami antycznymi

Daria Kowalczyk-Cantoro
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Abstract

The aim of this article is to analyse the Renaissance poem Sarca, whose authorship is attributed to the Italian humanist Pietro Bembo, and to indicate the ancient inspirations of the work. The main model for the work is Carmen 64 by Catullus, although the author also refers to other Roman poets. The intertextual relations between Sarca and the hypotexts are presented on various levels. The analysis focuses on showing parallel elements of the setting and takes in consideration the few similarities at the linguistic and stylistic level. Genre-wise Sarca is classified as an epithalamium of an aythiological character. Its characteristics typical of the Renaissance era are also highlighted. The article also brings up the history of the poem and the topic of its attribution, presenting an extensive state of research.
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文艺复兴时期的诗歌“萨卡”与古代作家的“交流”
本文的目的是分析文艺复兴时期的诗歌《萨尔卡》,其作者是意大利人文主义者彼得罗·本博,并指出该作品的古代灵感。这部作品的主要模型是卡图卢斯的《卡门64》,尽管作者也提到了其他罗马诗人。Sarca与形下文之间的互文关系呈现在不同的层面上。分析的重点是展示背景的平行元素,并考虑到语言和风格层面的少数相似之处。从流派上讲,Sarca被归类为一种具有aythiological特征的表halamium。其文艺复兴时期的典型特征也被突显出来。文章还介绍了这首诗的历史及其归属问题,介绍了广泛的研究状况。
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