Il mausoleo di Oljeitu a Soltaniyeh in Iran. Bilanci e prospettive per un sito UNESCO

F. Pisani
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Abstract

At the time of the signing of the Convention for the Protection of the World Cultural and Natural Heritage the Oljeitu Mausoleum at Soltaniyeh in Iran was already the subject of an international programme of restoration and conservation, in the spirit of collaboration that was to be sanctioned by the same convention. The designer and person in charge of these works was Piero Sanpaolesi. He was already a consultant for the United Nations Organisation and in those same years he directed the Institute of Restoration of Monuments at the Faculty of Architecture in Florence and headed the institution of the same name that he founded at the University of Tehran. The mausoleum commissioned in the early 14th century by Oljeitu, the eighth ruler of the Ilkhān dynasty, in Soltani- yeh, is covered by a dome, made of masonry with a double calotte, which bears similarities to Brunelleschi's dome in Santa Maria del Fiore, and is the third largest in the world. In July 2005 in Durban, the Mausoleum of Oljeitu in Soltaniyeh was inscribed on the UNESCO World Heritage List. Fifty years after the first restoration work, it is possible to take stock of the effects that the activities carried out, in the spirit of the Heritage Convention, have had on this particular UNESCO site.
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伊朗索尔塔尼耶的奥尔杰图陵墓。教科文组织网站的预算和前景
在签署《保护世界文化和自然遗产公约》时,伊朗索尔塔尼耶的奥尔杰图陵墓已经成为一项国际修复和保护方案的主题,该方案本着同一公约所认可的合作精神。这些作品的设计者和负责人是Piero Sanpaolesi。他已经是联合国组织的顾问,同年,他领导了佛罗伦萨建筑学院的古迹修复研究所,并领导了他在德黑兰大学创建的同名机构。14世纪初,伊尔肯王朝第八任统治者奥尔杰图在索尔塔尼耶委托建造的陵墓被一个圆顶所覆盖,该圆顶由带有双卡卢塔的砖石制成,与布鲁内莱斯基在圣菲奥雷的圆顶相似,是世界上第三大的圆顶。2005年7月,在德班,索尔塔尼耶的奥尔杰图陵墓被列入联合国教科文组织世界遗产名录。在第一次修复工作50年后,我们可以评估本着《遗产公约》的精神开展的活动对联合国教科文组织这一特定遗址的影响。
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Il piano di conservazione e gestione per le Scuole Nazionali d’Arte di Cuba. Un contributo al percorso di candidatura alla WHL. «Restaurare modernamente». Interventi settecenteschi all’Oratorio di San Sebastiano del complesso monumentale della SS. Annunziata di Firenze attraverso i documenti dell’Archivio privato della famiglia I tumuli del parco archeologico di Cortona. Studi per la conservazione e la valorizzazione. From the visual connections of the nuraghi of Sinis to the submerged nuragic city of Conca Illonis in the pond of Cabras. Rilievo per il restauro. La documentazione morfometrica e cromatica della Facultad de Arte Teatral dell’ISA (L’Avana - Cuba).
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