{"title":"Legal Aliens: Serbian Composers in Western Europe Today","authors":"I. Medić","doi":"10.1080/07494467.2022.2152217","DOIUrl":null,"url":null,"abstract":"This article is an extract from my ongoing investigation of the destinies of Serbian composers who have emigrated since the early 1990s, a period that was marked by the dissolution of the Socialist Federal Republic of Yugoslavia and the ensuing wars when hundreds of thousands of professionals left the country and settled all over the world. Such a massive ‘brain drain’ has had a devastating impact on many professional realms in the entire former-Yugoslav region. Thus far, I have located more than seventy Serbian composers who currently live and work abroad, a significant number for such a small country. In this article, I focus on the professional and personal trajectories of several composers who have managed to establish successful careers in various Western European countries. A recent monograph by Elena Dubinets, Russian Composers Abroad: How They Left, Stayed, Returned (Bloomington: Indiana University Press, 2021), serves as my discoursive ‘counterpoint’.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"41 1","pages":"644 - 665"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2022.2152217","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 2
Abstract
This article is an extract from my ongoing investigation of the destinies of Serbian composers who have emigrated since the early 1990s, a period that was marked by the dissolution of the Socialist Federal Republic of Yugoslavia and the ensuing wars when hundreds of thousands of professionals left the country and settled all over the world. Such a massive ‘brain drain’ has had a devastating impact on many professional realms in the entire former-Yugoslav region. Thus far, I have located more than seventy Serbian composers who currently live and work abroad, a significant number for such a small country. In this article, I focus on the professional and personal trajectories of several composers who have managed to establish successful careers in various Western European countries. A recent monograph by Elena Dubinets, Russian Composers Abroad: How They Left, Stayed, Returned (Bloomington: Indiana University Press, 2021), serves as my discoursive ‘counterpoint’.
期刊介绍:
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.