A Controversial Heritage. Residential Architecture of the Transition Period in Estonia

IF 0.1 0 ART Baltic Journal of Art History Pub Date : 2020-08-17 DOI:10.12697/bjah.2020.19.05
Riin Alatalu, M. Mändel, Oliver Orro, Triin Reidla
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引用次数: 1

Abstract

This article looks at residential architecture during the transition period in Estonia from the late 1980s to the early 1990s through the eyes of hertitage experts. It endeavours to sketch the general tendencies and changes in architecture, as well as highlight typical problems in restoration, which arise today in the evaluation of the architectural heritage from that period. The end of the 1980s and beginning of the 1990s are regarded as a transition period, when Estonia transitioned from a totalitarian state to a democratic nation restoring the pre-II World War Republic of Estonia. The processes during that time affected society as a whole, ushered in important socio-economic changes and also significant cultural changes. Even though culture as a phenomenon is difficult to define, it is generally understood as the common understanding and collection of values shared by a community, and can then be treated as cultural change according to their perceived collective transformation.1 The collapse of the Soviet Union and the social and economic processes that were accompanied by cultural changes immediately before and after the collapse also affected homes and home life. The
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有争议的遗产。爱沙尼亚过渡时期的住宅建筑
这篇文章着眼于爱沙尼亚从20世纪80年代末到90年代初过渡时期的住宅建筑。它努力描绘建筑的总体趋势和变化,并强调修复中的典型问题,这些问题今天在评估那个时期的建筑遗产时出现。20世纪80年代末和90年代初被视为一个过渡时期,爱沙尼亚从极权主义国家过渡到民主国家,恢复了二战前的爱沙尼亚共和国。这一时期的进程影响了整个社会,带来了重要的社会经济变化,也带来了重大的文化变化。尽管文化作为一种现象很难定义,但它通常被理解为一个社区对共同价值观的共同理解和集合,1苏联的解体以及在解体前后伴随着文化变化的社会和经济进程也影响了家庭和家庭生活。这个
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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