AIDS e identidade em "O tribunal da quinta-feira"

Alessandra D. S. Boos
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Abstract

This article presents an analysis of Michel Laub's O tribunal da quinta-feira, published in 2016, in order to understand how the narrator (and protagonist) tells his own story, how it is intertwined with the very history of AIDS in Brazil and what his personal relationships tell us about his identity as a cisheterosexual man. The narrator Jose Victor's account evokes a kind of “AIDS genealogy” as a way of giving meaning to his life experiences, especially sexual ones. Despite being critical of the stigmatization of people infected with HIV and homophobia, Jose does not spare women around misogynistic discourses disguised as sense of humor. In addition, issues such as heteronormativity, disciplinary society and pornography are in focus. To think about the questions brought by this narrative, the following authors were mainly used: Perlongher (1987), Bourdieu (1996), Foucault (1999), Sontag (2007) and Rich (2010).
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艾滋病与“星期四法庭”中的身份认同
本文分析了米歇尔·劳布(Michel Laub)于2016年出版的《O tribunal da quinta feira》,以了解讲述者(和主人公)是如何告诉自己的故事的,它是如何与巴西艾滋病的历史交织在一起的,以及他的私人关系告诉我们他作为顺异性恋者的身份。叙述者Jose Victor的叙述唤起了一种“艾滋病谱系”,以此来赋予他的生活经历意义,尤其是性经历。尽管Jose对艾滋病毒感染者的污名化和恐同症持批评态度,但她并没有放过伪装成幽默感的厌女言论。此外,诸如非规范性、纪律社会和色情等问题也成为焦点。为了思考这种叙事所带来的问题,主要使用了以下作者:Perlongher(1987)、Bourdieu(1996)、Foucault(1999)、Sontag(2007)和Rich(2010)。
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审稿时长
24 weeks
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