Holocaust Reminiscenses in Digital Media Culture and Cultural Institutions (Development of Critical Thinking and Media Literacy)

IF 0.9 Q3 COMMUNICATION Media Literacy and Academic Research Pub Date : 2023-06-26 DOI:10.34135/mlar-23-01-08
E. Moravčíková, Kristína Jakubovská, V. Jakubovská, Ingrida Hudecová
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Abstract

The authors of the article analyse the problem of individual and collective memory through the prism of The Holocaust reminiscence. They are aware that we are living in a time when living memories of the grave crimes and catastrophes of the 20th century are fading away, as well as the complex political, social and cultural processes, taking place at present, are becoming intensified in the context of the War in Ukraine. These events and processes once again highlight the social importance of individual and collective memory and the need for its conscious formation through media and intercultural education. The aim of the authors’ endeavour is to explore four forms of The Holocaust reminiscence, : 1/ reminiscence in the form of reconstruction (authentic representation of the past); 2/ reminiscence as (re)interpretation (remembrance that refers to the past but is interpreted in the context of current findings); 3/ reminiscence as prevention and civic engagement (education and educational programmes that promote tolerance and moral qualities); 4/ reminiscence as a tool for cultural identity formation (forming collective identities and promoting social inclusion). The study will include interpretations of selected works from the field of performing arts and case studies from media culture. Attention will also be focused on particular proposals for media-educational and cultural-pedagogical activities which can be used in cultural institutions and in media education in order to develop media literacy and critical thinking.
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数字媒体文化和文化机构中的大屠杀回忆(批判性思维和媒体素养的发展)
本文作者通过《大屠杀回忆》的棱镜分析了个体记忆和集体记忆的问题。他们意识到,我们生活在这样一个时代:人们对20世纪严重罪行和灾难的记忆正在消失,目前正在发生的复杂政治、社会和文化进程在乌克兰战争的背景下正在加剧。这些事件和过程再次突出了个人和集体记忆的社会重要性,以及通过媒体和跨文化教育有意识地形成记忆的必要性。作者努力探索《大屠杀回忆》的四种形式:1/重建形式的回忆(真实再现过去);2/回忆是(重新)解释(指过去但在当前发现的背景下解释的记忆);3/作为预防和公民参与的回忆(促进宽容和道德品质的教育和教育方案);4/回忆作为形成文化身份的工具(形成集体身份和促进社会包容)。这项研究将包括对表演艺术领域精选作品的解读和媒体文化的案例研究。还将重点关注媒体教育和文化教学活动的具体建议,这些建议可用于文化机构和媒体教育,以培养媒体素养和批判性思维。
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