Different Death Stars and devastated Earths: Contemporary sf cinema's imagination of disaster in the Anthropocene

IF 0.2 0 FILM, RADIO, TELEVISION Science Fiction Film and Television Pub Date : 2019-06-01 DOI:10.3828/SFFTV.2019.14
Toby Neilson
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Abstract

Abstract:Susan Sontag, within 'The Imagination of Disaster', argued that sf films reflect worldwide anxieties (44), specifically those of nuclear threat. This article will investigate how contemporary sf cinema speaks to the twenty-first-century anxieties surrounding the Anthropocene. Through a comparative analysis of the Star Wars saga's various Death Stars, this paper will demonstrate environmentally informed representational changes in the film series' contemporary iterations. This will be followed by a theoretically informed analysis of After Earth (Shyamalan 2013), unveiling the means by which sf cinema's disaster imaginary in the twenty-first century can, and often does, shape itself around the ecocritical intricacies of the Anthropocene epoch. In the hitherto unlikely bringing together of Star Wars and After Earth this paper unveils sf cinema's relationship with the disaster imaginary of the Anthropocene.
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不同的死星和毁灭的地球:当代科幻电影对人类世灾难的想象
摘要:苏珊·桑塔格(Susan Sontag)在《灾难的想象》(The Imagination of Disaster)一书中认为,科幻电影反映了世界范围内的焦虑(44),特别是对核威胁的焦虑。本文将探讨当代科幻电影如何回应围绕人类世的21世纪焦虑。通过对《星球大战》系列中各种死星的比较分析,本文将展示该系列电影当代迭代中环境信息的代表性变化。接下来是对《重返地球》(shayamalan 2013)的理论分析,揭示了科幻电影在21世纪的灾难想象可以,而且经常围绕人类世时代的生态批评的复杂性来塑造自己的方式。《星球大战》和《重返地球》迄今不太可能结合在一起,本文揭示了科幻电影与人类世灾难想象的关系。
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Science Fiction Film and Television
Science Fiction Film and Television FILM, RADIO, TELEVISION-
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1.00
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31
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