Local political change, the neo-creative city paradigm and the mutations of Valencian cultural branding

Q1 Social Sciences City, Culture and Society Pub Date : 2023-09-01 DOI:10.1016/j.ccs.2023.100535
Joaquim Rius-Ulldemolins, Pau Díaz-Solano
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引用次数: 1

Abstract

The 21st Century has seen the emergence and subsequent crisis of the Creative City paradigm in which the broad scope of culture and heritage for urban branding has been shown. Valencia's case has been paradigmatic in showing the potential and negative effects of this strategy, which entered into crisis and constituted one of the critical elements of the strategy of the Conservative local government (1991–2015). With the change of government to a left coalition in 2015, the transformation of a policy based on ‘white elephants’ shifted to one based on the production of International Events and centres to boost the city's strengths within the international framework. Although great events and infrastructures were ditched for a more participatory, sustainable approach, international bodies such as UNESCO consider the city still adopts a ‘Creative City’ strategy. In the new neo-Creative City paradigm, the development strategy focuses on creating value from the bottom up, drawing on the material heritage and the creative fabric to this end. The strategy remains focused on promoting the city as an international brand, on the self-promotion of the local government as a tool of legitimacy, and top-down governance.

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地方政治变革、新创意城市范式与巴伦西亚文化品牌的突变
21世纪见证了创意城市范式的出现和随后的危机,在这一范式中,城市品牌的文化和遗产范围广泛。巴伦西亚的案例展示了这一战略的潜在和负面影响,该战略进入了危机,并构成了保守党地方政府战略的关键要素之一(1991-2015)。随着2015年政府转变为左翼联盟,基于“白象”的政策转变为基于国际活动和中心的政策,以增强城市在国际框架内的实力。尽管大型活动和基础设施被抛弃,转而采用更具参与性和可持续性的方法,但联合国教科文组织等国际机构认为,这座城市仍然采用“创意城市”战略。在新的新创意城市范式中,发展战略侧重于自下而上创造价值,为此利用物质遗产和创意结构。该战略仍然侧重于将城市宣传为一个国际品牌,将地方政府的自我宣传作为合法性的工具,以及自上而下的治理。
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来源期刊
City, Culture and Society
City, Culture and Society Economics, Econometrics and Finance-Economics, Econometrics and Finance (miscellaneous)
CiteScore
4.00
自引率
0.00%
发文量
26
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