Pub Date : 2026-01-24DOI: 10.1016/j.ccs.2026.100693
Montserrat Pareja-Eastaway , Marc Pradel i Miquel
{"title":"Leveraging global production networks for local economic development: Insights from the fashion industry in Bilbao's creative and cultural sectors","authors":"Montserrat Pareja-Eastaway , Marc Pradel i Miquel","doi":"10.1016/j.ccs.2026.100693","DOIUrl":"10.1016/j.ccs.2026.100693","url":null,"abstract":"","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100693"},"PeriodicalIF":0.0,"publicationDate":"2026-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146037106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2026-01-22DOI: 10.1016/j.ccs.2026.100690
Josephine Hio Ian Choi
This article examines Macau as a case study for the transformation of cultural urban regeneration. Macau's commitment to preserving its Portuguese colonial heritage aligns with a cultural policy supporting urban regeneration for economic diversification. Through interviews, observations, and literature reviews, the study addresses research questions regarding changing roles of stakeholders, evolution of governance, and influence of the governance system on the outcomes of regeneration projects. Two prime examples are explored: St Lazarus neighbourhood, which has retained its colonial architectural heritage, and Taipa Village, which has transitioned into a vibrant lifestyle district. These areas have transformed into creative hubs where arts and culture are central in driving urban regeneration.
{"title":"Transforming cultural urban regeneration: Roles of multiple stakeholders in Macau, China","authors":"Josephine Hio Ian Choi","doi":"10.1016/j.ccs.2026.100690","DOIUrl":"10.1016/j.ccs.2026.100690","url":null,"abstract":"<div><div>This article examines Macau as a case study for the transformation of cultural urban regeneration. Macau's commitment to preserving its Portuguese colonial heritage aligns with a cultural policy supporting urban regeneration for economic diversification. Through interviews, observations, and literature reviews, the study addresses research questions regarding changing roles of stakeholders, evolution of governance, and influence of the governance system on the outcomes of regeneration projects. Two prime examples are explored: St Lazarus neighbourhood, which has retained its colonial architectural heritage, and Taipa Village, which has transitioned into a vibrant lifestyle district. These areas have transformed into creative hubs where arts and culture are central in driving urban regeneration.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100690"},"PeriodicalIF":0.0,"publicationDate":"2026-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146037602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2026-01-20DOI: 10.1016/j.ccs.2026.100689
Abigail Gilmore , Dr Lauren England , Thuy Tran Dr , Dr Claire Burnill-Maier
This special issue showcases interdisciplinary research on the changing conditions, policies and practices of urban cultural infrastructure, offering new insights into the relationship between art, culture, policy and urban development. The collection of research articles offers empirical consideration and theoretical reflection on what might be considered an ‘infrastructural turn’ within urban and cultural policy studies that challenges previously established ideal types of urban strategies which target cultural consumption and production for value extraction. Together, they represent an attempt to move beyond the ‘creative city’ strategies that dominate this area of research but offer only vague and sometimes contradictory narratives. We aim to offer a basis for alternative discussions that are inclusive and critically sensitive to the divergence of spatial, political and economic contexts and practices within governance, statecraft and urban entrepreneurialism, to explore opportunities offered through heterodox approaches which capture the multiple narratives of urban development across global North and South.
{"title":"Cultural policy and urban cultural infrastructure beyond the creative city","authors":"Abigail Gilmore , Dr Lauren England , Thuy Tran Dr , Dr Claire Burnill-Maier","doi":"10.1016/j.ccs.2026.100689","DOIUrl":"10.1016/j.ccs.2026.100689","url":null,"abstract":"<div><div>This special issue showcases interdisciplinary research on the changing conditions, policies and practices of urban cultural infrastructure, offering new insights into the relationship between art, culture, policy and urban development. The collection of research articles offers empirical consideration and theoretical reflection on what might be considered an ‘infrastructural turn’ within urban and cultural policy studies that challenges previously established ideal types of urban strategies which target cultural consumption and production for value extraction. Together, they represent an attempt to move beyond the ‘creative city’ strategies that dominate this area of research but offer only vague and sometimes contradictory narratives. We aim to offer a basis for alternative discussions that are inclusive and critically sensitive to the divergence of spatial, political and economic contexts and practices within governance, statecraft and urban entrepreneurialism, to explore opportunities offered through heterodox approaches which capture the multiple narratives of urban development across global North and South.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100689"},"PeriodicalIF":0.0,"publicationDate":"2026-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146037601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2026-01-06DOI: 10.1016/j.ccs.2026.100688
Naimeh Rezaei , Emma Felton
This article explores the recent proliferation of cafés in central Tehran. Drawing on Pierre Bourdieu's concepts of field, habitus, and cultural capital, in dialogue with theories of glocalization and cultural hybridization, the study analyzes how these cafés function not merely as consumption venues but as hybrid cultural fields. Based on ethnographic fieldwork—including interviews, observations, and visual analysis of 18 cafés—the research reveals that these spaces enable middle- and upper-middle-class youth to perform social distinction through hybrid tastes and symbolic practices that blend local heritage with global aesthetics. While established in repurposed historic buildings, these cafés incorporate digital tools, cosmopolitan design, and layered sensory experiences, allowing patrons to express aspirational cosmopolitanism without rejecting Iranian cultural codes. The study contributes to the literature by extending Bourdieu's nationally grounded theory to global urban contexts, introducing the concept of glocal cultural capital, and theorizing cafés as key infrastructures of hybrid cultural production and symbolic urban change. Ultimately, it argues that trendy cafés in Tehran are not ideologically neutral spaces, but socially selective fields where modernity, refinement, and cultural belonging are continually negotiated.
{"title":"Between local heritage and global aesthetics: Bourdieusian perspectives on Tehran's cafés","authors":"Naimeh Rezaei , Emma Felton","doi":"10.1016/j.ccs.2026.100688","DOIUrl":"10.1016/j.ccs.2026.100688","url":null,"abstract":"<div><div>This article explores the recent proliferation of cafés in central Tehran. Drawing on Pierre Bourdieu's concepts of <em>field</em>, <em>habitus</em>, and <em>cultural capital</em>, in dialogue with theories of <em>glocalization</em> and <em>cultural hybridization</em>, the study analyzes how these cafés function not merely as consumption venues but as hybrid cultural fields. Based on ethnographic fieldwork—including interviews, observations, and visual analysis of 18 cafés—the research reveals that these spaces enable middle- and upper-middle-class youth to perform social distinction through hybrid tastes and symbolic practices that blend local heritage with global aesthetics. While established in repurposed historic buildings, these cafés incorporate digital tools, cosmopolitan design, and layered sensory experiences, allowing patrons to express aspirational cosmopolitanism without rejecting Iranian cultural codes. The study contributes to the literature by extending Bourdieu's nationally grounded theory to global urban contexts, introducing the concept of <em>glocal cultural capital</em>, and theorizing cafés as key infrastructures of hybrid cultural production and symbolic urban change. Ultimately, it argues that trendy cafés in Tehran are not ideologically neutral spaces, but socially selective fields where modernity, refinement, and cultural belonging are continually negotiated.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100688"},"PeriodicalIF":0.0,"publicationDate":"2026-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145939258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-24DOI: 10.1016/j.ccs.2025.100686
Marta Tonetta, Alessandro Gandini
Calls to ‘disconnect from work’ have become increasingly prominent in recent years. Within this framework, neo-craft occupations emerged as an attractive option for workers in search of meaningful work. While these have been primarily investigated as an urban phenomenon, less is known about neo-craft activities located outside the city and in non-urban settings. Based on large-scale qualitative research in the European Union, this article illustrates the motivations and contradictions that underpin the mobility and work trajectories of a set of neo-artisans who have decided to live and work away from large international cities. We show that, for them, spatial dislocations and mobility strategies are part of the same ‘good life’ project, and argue that neo-craft work should be seen as an example of ‘disconnection from work’ with a spatial component that is symptomatic of a cultural shift in the way work and its meaning are collectively imagined. Crucially, however, this is shaped by conditions of privilege and possibility, which do not merely affect individual choices but fundamentally distinguish those who can afford to undertake this lifestyle change from those who cannot.
{"title":"Neo-artisans ‘Out of Town’: Motivations and contradictions in non-urban neo-craft work","authors":"Marta Tonetta, Alessandro Gandini","doi":"10.1016/j.ccs.2025.100686","DOIUrl":"10.1016/j.ccs.2025.100686","url":null,"abstract":"<div><div>Calls to ‘disconnect from work’ have become increasingly prominent in recent years. Within this framework, neo-craft occupations emerged as an attractive option for workers in search of meaningful work. While these have been primarily investigated as an urban phenomenon, less is known about neo-craft activities located outside the city and in non-urban settings. Based on large-scale qualitative research in the European Union, this article illustrates the motivations and contradictions that underpin the mobility and work trajectories of a set of neo-artisans who have decided to live and work away from large international cities. We show that, for them, spatial dislocations and mobility strategies are part of the same ‘good life’ project, and argue that neo-craft work should be seen as an example of ‘disconnection from work’ with a spatial component that is symptomatic of a cultural shift in the way work and its meaning are collectively imagined. Crucially, however, this is shaped by conditions of privilege and possibility, which do not merely affect individual choices but fundamentally distinguish those who can afford to undertake this lifestyle change from those who cannot.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100686"},"PeriodicalIF":0.0,"publicationDate":"2025-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145840909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-19DOI: 10.1016/j.ccs.2025.100687
José Ignacio Sánchez-Vergara , Marko Orel
{"title":"The touristification of work: Coworking spaces and digital nomads in Barcelona","authors":"José Ignacio Sánchez-Vergara , Marko Orel","doi":"10.1016/j.ccs.2025.100687","DOIUrl":"10.1016/j.ccs.2025.100687","url":null,"abstract":"","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100687"},"PeriodicalIF":0.0,"publicationDate":"2025-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145798575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-05DOI: 10.1016/j.ccs.2025.100673
Erika Polson
In many United States cities, a rise in remote work is blamed for an ‘office apocalypse,’ with dire news reports claiming downtown districts are in a ‘death spiral.’ As a reaction to the normalization of digitalized remote work, many cities are responding to the spatial consequences of digital mobilities by trying to make themselves more attractive to new publics. Although this includes plans to convert offices to apartments, for the most part planners continue to view the office as a fixed location that will become more attractive if people live near it. This paper suggests cities should recognize how knowledge workers touristify the workday, seeking to blend work and leisure across urban space. Based on reviews of scholarship and market reports about central office districts and remote work, theories of branding and atmospheres, and a ‘scenario’ developed through interviews with planners from multiple cities alongside observations of remote work in Denver, Colorado, the article suggests the office maintains a significant role in downtowns in its post-digital—its ambient—form.
{"title":"The ambient office: Remote work and the post-digital downtown","authors":"Erika Polson","doi":"10.1016/j.ccs.2025.100673","DOIUrl":"10.1016/j.ccs.2025.100673","url":null,"abstract":"<div><div>In many United States cities, a rise in remote work is blamed for an ‘office apocalypse,’ with dire news reports claiming downtown districts are in a ‘death spiral.’ As a reaction to the normalization of digitalized remote work, many cities are responding to the spatial consequences of digital mobilities by trying to make themselves more attractive to new publics. Although this includes plans to convert offices to apartments, for the most part planners continue to view the office as a fixed location that will become more attractive if people live near it. This paper suggests cities should recognize how knowledge workers touristify the workday, seeking to blend work and leisure across urban space. Based on reviews of scholarship and market reports about central office districts and remote work, theories of branding and atmospheres, and a ‘scenario’ developed through interviews with planners from multiple cities alongside observations of remote work in Denver, Colorado, the article suggests the office maintains a significant role in downtowns in its post-digital—its <em>ambient</em>—form.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"44 ","pages":"Article 100673"},"PeriodicalIF":0.0,"publicationDate":"2025-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145693210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-11-19DOI: 10.1016/j.ccs.2025.100675
Diying Cai , Zitong Zhan
Jingdezhen porcelain culture, renowned for its long history and exquisite craftsmanship, has long attracted ceramic enthusiasts and contributed to the development of local art and culture. While much of the existing literature emphasizes the role of the government, experts, and ceramic masters, this review article turns its attention to the contributions of grassroots groups, particularly the little-studied ‘Jing Piao’ group, in shaping urban ceramic art culture. This article explores the engagement of the ‘Jing Piao’ ceramic community in Jingdezhen through three themes: (1) a historical perspective on the cultural identity of ‘Jing Piao’, (2) the impact of the creative labour of the ‘Jing Piao’ group on local ceramic culture and markets, and (3) Intermediaries’ practices in bridging ‘Jing Piao’ and the local ceramic community. This study examines how ‘Jing Piao’ contributes to Jingdezhen’s cultural and industrial regeneration through their evolving identity and creative labor. While promoting ceramic renaissance and globalization, their influence raises challenges regarding cultural ethics, craft valuation, and sustainability.
{"title":"Cultural identity and creative labour of mobile artists: A narrative review of Jing Piao community in Jingdezhen","authors":"Diying Cai , Zitong Zhan","doi":"10.1016/j.ccs.2025.100675","DOIUrl":"10.1016/j.ccs.2025.100675","url":null,"abstract":"<div><div>Jingdezhen porcelain culture, renowned for its long history and exquisite craftsmanship, has long attracted ceramic enthusiasts and contributed to the development of local art and culture. While much of the existing literature emphasizes the role of the government, experts, and ceramic masters, this review article turns its attention to the contributions of grassroots groups, particularly the little-studied ‘Jing Piao’ group, in shaping urban ceramic art culture. This article explores the engagement of the ‘Jing Piao’ ceramic community in Jingdezhen through three themes: (1) a historical perspective on the cultural identity of ‘Jing Piao’, (2) the impact of the creative labour of the ‘Jing Piao’ group on local ceramic culture and markets, and (3) Intermediaries’ practices in bridging ‘Jing Piao’ and the local ceramic community. This study examines how ‘Jing Piao’ contributes to Jingdezhen’s cultural and industrial regeneration through their evolving identity and creative labor. While promoting ceramic renaissance and globalization, their influence raises challenges regarding cultural ethics, craft valuation, and sustainability.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"43 ","pages":"Article 100675"},"PeriodicalIF":0.0,"publicationDate":"2025-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145578838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-11-15DOI: 10.1016/j.ccs.2025.100676
Fanyu Zhang, Helen Kennedy
This research explores the sustainability challenges of social enterprises in the cultural and creative sectors, focusing on IMPACD CIC, a grassroots creative organisation in Nottingham, UK. Operating at the intersection of CCIs and social enterprise, such organisations navigate tensions between financial sustainability and social or cultural missions. Existing literature often oversimplifies this conflict, emphasises commercial activity in large organisations, and overlooks the contributions of smaller arts-based enterprises. Using IMPACD as a case study, the research examines challenges including inadequate funding, undervalued creative labour, displacement, and policy misalignments, alongside commitments to inclusion and community engagement. Despite these obstacles, IMPACD employs arts-based practices to combat social exclusion, inequality, and loneliness, demonstrating the potential of creative social enterprises to address marginalisation. While they cannot fully dismantle systemic exclusion, these organisations raise awareness and offer tangible support to marginalised communities. The study highlights the need for greater support and recognition, advocating policies and financial frameworks that enable creative social enterprises to expand their social and cultural impact, contributing to sustainable and inclusive urban environments.
{"title":"Sustainability challenges for social enterprises in cultural and creative sectors - A case study of IMPACD CIC","authors":"Fanyu Zhang, Helen Kennedy","doi":"10.1016/j.ccs.2025.100676","DOIUrl":"10.1016/j.ccs.2025.100676","url":null,"abstract":"<div><div>This research explores the sustainability challenges of social enterprises in the cultural and creative sectors, focusing on IMPACD CIC, a grassroots creative organisation in Nottingham, UK. Operating at the intersection of CCIs and social enterprise, such organisations navigate tensions between financial sustainability and social or cultural missions. Existing literature often oversimplifies this conflict, emphasises commercial activity in large organisations, and overlooks the contributions of smaller arts-based enterprises. Using IMPACD as a case study, the research examines challenges including inadequate funding, undervalued creative labour, displacement, and policy misalignments, alongside commitments to inclusion and community engagement. Despite these obstacles, IMPACD employs arts-based practices to combat social exclusion, inequality, and loneliness, demonstrating the potential of creative social enterprises to address marginalisation. While they cannot fully dismantle systemic exclusion, these organisations raise awareness and offer tangible support to marginalised communities. The study highlights the need for greater support and recognition, advocating policies and financial frameworks that enable creative social enterprises to expand their social and cultural impact, contributing to sustainable and inclusive urban environments.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"43 ","pages":"Article 100676"},"PeriodicalIF":0.0,"publicationDate":"2025-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145525674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-11-14DOI: 10.1016/j.ccs.2025.100674
Carlo Genova
This article investigates how graffiti writers perceive, interpret and use urban space. Drawing on qualitative interviews with writers conducted in Italy, it proposes and substantiates the notion of a distinctive “graffiti gaze”: a situated way of seeing that reworks both individual places and the city as a whole. Place selection is guided by four criteria – materiality of surfaces, visibility, architectural accessibility and social accessibility – combined through search strategies that include vigilant everyday observation, targeted exploration (including virtual surveys) and exchanges of information within social networks. The practice generates evolving mental maps composed of painted spots, prospective sites and preferred routes, which anchor personal memories and scene infrastructures. The findings refine the analogy with the “skater's eye” and “parkour vision”, showing family resemblances yet outlining specificities of writing. Comparative glimpses across cities highlight variations in competitive climates, morphologies and institutional arrangements, without undermining shared patterns. The article then provides new insights into how unconventional uses of space challenge dominant perceptions of urban territory and contribute to its re-signification.
{"title":"Graffiti gaze. The writers looking at urban territory and its places","authors":"Carlo Genova","doi":"10.1016/j.ccs.2025.100674","DOIUrl":"10.1016/j.ccs.2025.100674","url":null,"abstract":"<div><div>This article investigates how graffiti writers perceive, interpret and use urban space. Drawing on qualitative interviews with writers conducted in Italy, it proposes and substantiates the notion of a distinctive “graffiti gaze”: a situated way of seeing that reworks both individual places and the city as a whole. Place selection is guided by four criteria – materiality of surfaces, visibility, architectural accessibility and social accessibility – combined through search strategies that include vigilant everyday observation, targeted exploration (including virtual surveys) and exchanges of information within social networks. The practice generates evolving mental maps composed of painted spots, prospective sites and preferred routes, which anchor personal memories and scene infrastructures. The findings refine the analogy with the “skater's eye” and “parkour vision”, showing family resemblances yet outlining specificities of writing. Comparative glimpses across cities highlight variations in competitive climates, morphologies and institutional arrangements, without undermining shared patterns. The article then provides new insights into how unconventional uses of space challenge dominant perceptions of urban territory and contribute to its re-signification.</div></div>","PeriodicalId":39061,"journal":{"name":"City, Culture and Society","volume":"43 ","pages":"Article 100674"},"PeriodicalIF":0.0,"publicationDate":"2025-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145525673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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