Before the Neoliberal Campus: University, Place and the Business of Higher Education

IF 1.1 0 ARCHITECTURE Architecture and Culture Pub Date : 2020-11-06 DOI:10.1080/20507828.2020.1805949
Jessica Fernandez, Matthew N. Powers
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引用次数: 1

Abstract

Abstract This article examines the relationship between the university and physical place over time, setting out the rise of the placed-based higher education institution leading to its current role as an attractant for the academy. The association between campus and community, known as the town–gown relationship, influenced the material form that the university initially took, and this relationship continues to play a prominent role today. However, a new and more globalized outset provokes growth and change in the physicality of the modern neoliberal university, where the campus responds to an increasingly larger market of potential users and investors. The article argues that the business of higher education has always existed and is amplified, rather than instigated, by the globalized knowledge-based economy. While place has become an important aspect of the higher education experience, the creation of knowledge is expressly tied to human organization and spans well beyond the tangible environment.
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新自由主义校园之前:大学、场所与高等教育的商业
摘要本文考察了大学与自然环境之间的关系,阐述了以安置为基础的高等教育机构的兴起,以及它目前作为学院吸引力的作用。校园和社区之间的联系,即所谓的城镇-长袍关系,影响了大学最初采取的物质形式,这种关系至今仍发挥着重要作用。然而,一个新的、更全球化的开端引发了现代新自由主义大学实体的增长和变化,在那里,校园对越来越大的潜在用户和投资者市场做出了回应。文章认为,高等教育的业务一直存在,并被全球化的知识经济放大,而不是煽动。虽然地方已经成为高等教育体验的一个重要方面,但知识的创造显然与人类组织联系在一起,远远超出了有形环境。
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来源期刊
Architecture and Culture
Architecture and Culture ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
25
期刊介绍: Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.
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