Individuality in Commonality: A Comparative Study of Su Embroidery and Gu Embroidery Based on Online Retrieval of Museum Collections

Shuai Xu, Longdi Cheng, Y. Liu, Lan Ge
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Abstract

As traditional handicrafts in the south of the Yangtze River, Su embroidery and Gu embroidery are closely related to each other due to their geographical proximity, mutual exchange of embroidery techniques and similar cultural backgrounds. In recent years, there has been considerable research on the historical origins and relationship between the two, but no unified conclusion has been formed. Through the combination of quantitative statistics of online collections in domestic museums and qualitative analysis of literature records, following the idea of “deconstruction - research - recombination”, this paper studies the similarities, differences, and influencing factors of Su embroidery and Gu embroidery, and illustrates the relationship between them. Su embroidery and Gu embroidery are two independent embroidery categories, which showed the characteristics of “Individuality in Commonality” with the evolution of the historical process. Under the call to revitalize traditional handicrafts, it is beneficial for the protection and inheritance of Su and Gu embroidery to trace their historical origins, analyze their respective technical characteristics, and clarify their relationship.
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共性中的个性:基于馆藏在线检索的苏绣与古绣比较研究
苏绣和古绣作为江南地区的传统手工艺,由于地理位置接近,刺绣技术相互交流,文化背景相似,两者之间的联系非常密切。近年来,对二者的历史渊源和关系进行了大量的研究,但尚未形成统一的结论。本文通过对国内博物馆网上藏品的定量统计与文献记录的定性分析相结合,遵循“解构-研究-重组”的思路,对苏绣与古绣的异同及其影响因素进行了研究,并阐述了两者之间的关系。苏绣和古绣是两个独立的刺绣门类,随着历史进程的演变,呈现出“共性中有个性”的特点。在振兴传统手工艺的号召下,追溯苏、古刺绣的历史渊源,分析苏、古刺绣各自的技术特点,厘清苏、古刺绣之间的关系,有利于苏、古刺绣的保护与传承。
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