La instalación: del objeto a su desmaterialización. Algunas contribuciones en el contexto español

Pablo Llamazares Blanco, Jorge Eduardo Ramos Jular
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引用次数: 0

Abstract

Since the sixties of the twentieth century, the sculptural has been abandoning the isolated and self-referential piece, to become interested in its relationships with the viewer and the room. The progressive dematerialization of the object led to new formats such as the «installation», closer to the scenography. This article aims to analyze, with architectural instruments, graphic and visual, that gradual predominance of spatiality, through some pioneering works in the Spanish context. The tour begins with those works that are most indebted to the objectual, and progresses through proposals that increase in scale and integrate the viewer. It ends with those creations that downplay the material, in favor of a message that aims to connect physical and mentally with the public. Thus the consolidation of the «installation» format is witnessed, structured as an immersive and multisensory experience.
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设施:从物体到非物质化。西班牙背景下的一些贡献
自20世纪60年代以来,雕塑已经放弃了孤立和自我参照的作品,变得对其与观众和房间的关系感兴趣。客体的逐渐非物质化导致了新的形式,如“装置”,更接近于场景。本文旨在通过西班牙背景下的一些开创性作品,以建筑工具,图形和视觉来分析空间性的逐渐优势。这次旅行从那些最受实物影响的作品开始,并通过增加规模和整合观众的建议进行。它以那些淡化材料的创作结束,以支持旨在与公众建立身体和精神联系的信息。因此,“装置”形式的巩固被见证,结构为沉浸式和多感官体验。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
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