Textual Jealousies in Chariton’s Callirhoe

IF 0.9 2区 历史学 N/A CLASSICS CLASSICAL ANTIQUITY Pub Date : 2022-04-01 DOI:10.1525/ca.2022.41.1.180
D. F. Elmer
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Abstract

Chariton’s novel, Chaereas and Callirhoe, is intensely interested not only in the emotional experience of the protagonists but also in the emotional effect the narrative has on readers. Among the many emotions depicted within the text, one stands out for its architectonic function: jealousy. Jealousy articulates the plot and propels it forward. Jealousy is also represented as a fundamentally “readerly” emotion: scenes of reading focus on the potential of written texts (letters) to stir jealous emotions. Similarly, scenes of embedded narration focus on the jealous reactions of narratees. The plot achieves closure when Chaereas learns to manage his jealousy as narratee and narrator. His experience, however, has implications also for Chariton and his readers. The text’s representation of jealousy as a narrative and textual force speaks both to the experience of writing in a culture that prizes the imitation of prestigious models and to the experience of reading a text that self-consciously hybridizes those models.
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查里顿书法中的文本嫉妒
Chariton的小说《Chaereas and Callirhoe》不仅对主人公的情感体验感兴趣,而且对叙事对读者的情感影响感兴趣。在文本中描绘的许多情感中,有一种以其建筑功能而突出:嫉妒。嫉妒表达了情节并推动它向前发展。嫉妒也表现为一种基本的“阅读”情绪:阅读场景关注书面文本(信件)激发嫉妒情绪的潜力。类似地,嵌入叙事的场景集中在叙述者的嫉妒反应上。当Chaereas作为叙述者和叙述者学会控制自己的嫉妒时,情节就结束了。然而,他的经历对查里顿和他的读者也有影响。文本将嫉妒表现为一种叙事和文本力量,这既反映了在一种重视模仿著名模特的文化中写作的体验,也反映了阅读自觉地将这些模特混合在一起的文本的体验。
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
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